A handsome young psychopath begins a spree of train robbery and murder in the West Texas border country, and the victimized railroad hires the legendary Ranger Captain Woodrow Call, aging hero of McMurtry's Lonesome Dove, to stop him. Gabby, funny Gus McCrae is in his grave, but years later other veterans of McMurty's epic cattle drive live on. Woodrow Call is nearly an old man, still maintaining his reputation as the greatest manhunter in the West. Living nearby, Pea-Eye, Call's old corporal, is a farmer married to Lorena, the gracefully fading beauty who once worked as a prostitute. Pea-Eye and Lorena, the only teacher at the little local school, have five children. Captain Call's final manhunt begins with orders from Colonel Terry, president of the railroad whose trains have been knocked off and passengers murdered by coldblooded Joey Garza. Call summons Pea-Eye to ride with him as he has always done, but Pea-Eye, who almost desperately loves his farm and family and who is beginning to feel his age, refuses the Captain for the first time in his life, and Call has to begin his hunt with no help other than that of Mr. Brookshire—the Brooklyn accountant Col. Terry sent to mind his money. The manhunt is almost immediately complicated by the return of Mox Mox, a murderous pervert who likes to torture and burn his victims. Mox Mox is working the same territory as Joey Garza, a beat also patrolled by the gunslinger John Wesley Harding. It's really more than Call can handle, no matter how quickly the terrified Mr. Brookshire loses his city-bred helplessness. As Call slowly tracks Garza, Maria (Garza's mother) sets out to save her son; a guilt-ridden Pea-Eye finally rides off to join his old boss; and Lorena follows her husband. Everybody who survives winds up in Joey's hometown for the showdown. Bleak, stately, terrifying, and moving: It's not just the wonderful story and completely original, perfectly American characters; McMurtry writes as well about aging as has ever been done.
Pub Date: Aug. 23, 1993
ISBN: 0-671-79281-4
Page Count: 592
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1993
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
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