Despite a few flaws, this volume offers plenty of compelling tidbits for classical music aficionados.
An avid classical music fan talks with some of his favorite composers, conductors, and musicians in this collection of interviews.
Ruttman makes it clear from the outset that he is not a professional musician. He approaches his questions from the point of view of an enthusiast whose appreciation for music spans roughly 60 years. He has assembled an impressive list of interviewees in the classical music world, separating them into such sections as composers (John Harbison, Unsuk Chin, Osvaldo Golijov), conductors (Gil Rose, Martin Pearlman), instrumentalists and vocalists (Anne-Sophie Mutter, Susan Graham, Aiko Onishi), music management (Mark Volpe), and the “beyond genre” (Ran Blake, Eden MacAdam-Somer, Monica Rizzio). An attorney who penned American Jews and America’s Game (2013), Ruttman found himself immersed in the classical music culture in Boston, digesting the details of the program at every performance he attended. That’s on clear display in these interviews, as the author has historical notes on heavyweights like Mozart, Bach, and Beethoven at the ready. He examines his subjects’ personal histories and their philosophies, musical and otherwise, and comes up with good questions, as when he asks Harbison if he can compose while working as a conductor. And he gets some thought-provoking answers, as when Chin says, with regard to her composing, “Music is not self-expression. One has to alienate, to keep a distance from themselves.” But the book has some problems involving its format and presentation. There is an unnecessary preview in the beginning giving details about the author’s subjects that would be better showcased in the chapters devoted to each one. Ruttman also puts his acknowledgments up front, including notes on the book’s editors and various illustrators and photographers, before readers can even see what they’ve contributed. The interviews themselves are presented with both the author’s and his subjects’ dialogue in quotes, with no attributions, instead of having the questions in bold or italics. At times, readers will be guessing from the context who is speaking.
Despite a few flaws, this volume offers plenty of compelling tidbits for classical music aficionados.Pub Date: N/A
ISBN: 979-8-88627-136-2
Page Count: 436
Publisher: Self
Review Posted Online: Aug. 30, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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