A foreboding tale of a snow-covered London in despair, enlivened by encouraging characters and events.
Londoners are ill-prepared for a seemingly endless snowstorm in Kavli’s debut dystopian novel.
The mayor of London decides to raise funds by selling off the city’s snow-removal equipment—even its shovels. After all, he thinks, it never snows in London. But sure enough, a winter storm soon starts and doesn’t stop, so the city turns to a major snow-removal operation in Norway. The team is led by Liv Olsen, the mother of London’s communications adviser, Bjørn Olsen, whose flat in the Shadwell district becomes the operations center. Liv recruits drivers and initiates a plan to move and dump snow in designated areas. But the falling snow is relentless as weeks turn into months. Desperate, cold citizens find themselves without any form of communication and start looting and vandalizing places throughout London. Their loss of hope, though, is even worse, with some speculating that the storm is the beginning of a new ice age. This character-driven novel is short on plot but brimming with emotional resonance. Many characters are prone to despondency because the storm has no end in sight. Bjørn, too, is burdened by guilt for much of the narrative, as he believes that he could have prevented the mayor’s sale, which would have allowed his mother to remain with her husband, Odin, back in Norway. The story’s incessant reminders of the snow outside make the characters’ overwhelming fatigue understandable. At the same time, Kavli’s descriptions are lyrical and ominous: one of Bjørn’s flatmates feels that London is “starting to disappear,” and Bjørn, traversing the city, “ski[s] through a modernist painting of abstract shapes.” The author ensures that the story isn’t overcome by bleakness by adding dashes of humor. The mayor, for example, proves to be no help at all; he’s typically unresponsive because he’s always looking at his smartphone, checking for a signal. Indomitable, heroic characters, such as Liv, inject optimism into the plot; she picks up the mayor’s slack and becomes a leader of sorts. Likewise, when night watchman (and Liv’s eventual driver) Kweku finds Bjørn’s other flatmate passed out, he carries him through the snow, not even knowing if a hospital is nearby.
A foreboding tale of a snow-covered London in despair, enlivened by encouraging characters and events.Pub Date: March 14, 2015
ISBN: 978-1-909644-58-8
Page Count: 366
Publisher: YouCaxton Publications
Review Posted Online: Nov. 30, 2015
Kirkus Reviews Issue: Jan. 15, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
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