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EMILY POST

DAUGHTER OF THE GILDED AGE, MISTRESS OF AMERICAN MANNERS

Far too polite for its—or our—good.

Fulsome, over-affectionate treatment of the doyenne who dominated the etiquette market for decades.

Claridge (Norman Rockwell, 2001, etc.) begins with a comparison between Emily Post (1872–1960) and anthropologist Ruth Benedict—and that’s just a taste of the puffery to come. The author proceeds to the most humiliating experience of Post’s life: her philandering husband’s infidelity in 1905 and the splashy newspaper coverage of it. Then the narrative moves back to Emily’s family history. Her father, Bruce Price, was a noted architect, and the little girl grew up in a world of servants and high society. At her 1889 debut, “she glowed” as the belle of the ball, according to Claridge, and that was the night she fell in love with Edwin Post. Their marriage, however, quickly disintegrated; the author describes Edwin as an alpha male in almost a prehistoric sense. Emily turned to writing and to entertaining; she was, writes Claridge, “especially pretty these days, trim with a rosy complexion, a tireless hostess.” This sort of treacly prose oversweetens far too many paragraphs. The author’s research seems thorough, but her documentation is uneven; several quotations from Edith Wharton have no endnote to identify them. Post published a few lightweight novels and gradually established herself as a minor New York literary figure. (She attended Mark Twain’s 70th birthday bash.) She seems to have hatched the idea for Etiquette in 1911; the first edition appeared in 1922, the 14th and final in 1955. The book’s enormous popularity finally brought her the celebrity she’d long craved. She had a newspaper column and a radio show; the pages of the nation’s women’s magazines were open to her; she wrote an engaging book about a cross-country car trip in 1915. Post was up-to-date enough to float an unsuccessful idea for a TV show, but she slowly faded away with dementia in the ’50s.

Far too polite for its—or our—good.

Pub Date: Oct. 21, 2008

ISBN: 978-0-375-50921-6

Page Count: 544

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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