A lavish blend of urban crime and high fantasy.
Reeve (Pathfinder, 2010, etc.) begins a new fantasy series in which the defenders of magic must flush out a sect of necromancers.
In the kingdom of Tyrra, Draius is a member of the City Guard. She and her career-obsessed husband, Jan, have a 7-year-old son named Peri. Like all marriages in Tyrra, theirs was arranged by careful matriarchal planning and exists within the confines of a contract. Also unique to Tyrran culture are the Phrenii, translucent elementals that resemble unicorns and roam the streets of Betarr Serasa. One night, in the Sea Serpent tavern, a member of the King’s Council named Meran-Nelja Reggis is found nailed to the floor of an upstairs room and eviscerated. Missing organs and fingers, as well as symbols painted in blood, point to the illegal teachings of Nherissa—or necromancy. The crime scene is spoiled when Cmdr. Erik is too drunk to contain the tavern’s crowds. Draius takes the case, aided by the handsome but inexperienced Lt. Lornis. Complicating matters are the shards of a magical artifact called the Kaskea, which create a bond with the Phrenii and which only the King may wield. Despite Tyrra’s reliance on science and procedure, anyone abusing pieces of the Kaskea has the power to upend their society. Reeve seamlessly combines disparate motifs to create an evocative new urban fantasy realm. Fascinating is the idea that Tyrra considers the word “unicorn” vulgar, and only children may touch the ethereal Phrenii without suffering ill effects (like shame and guilt). Tyrra is a place with a living history, the details of which (including a recent plague that affected birthrates) only enrich the story. Several first-person chapters from the killer’s perspective add tension as Reeve leads readers toward an otherworldly finale.
A lavish blend of urban crime and high fantasy.Pub Date: Oct. 27, 2015
ISBN: 978-0-9891358-3-2
Page Count: 350
Publisher: Cajun Coyote Media
Review Posted Online: March 4, 2016
Kirkus Reviews Issue: April 1, 2016
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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