Reeve (Pathfinder, 2010, etc.) begins a new fantasy series in which the defenders of magic must flush out a sect of necromancers.
In the kingdom of Tyrra, Draius is a member of the City Guard. She and her career-obsessed husband, Jan, have a 7-year-old son named Peri. Like all marriages in Tyrra, theirs was arranged by careful matriarchal planning and exists within the confines of a contract. Also unique to Tyrran culture are the Phrenii, translucent elementals that resemble unicorns and roam the streets of Betarr Serasa. One night, in the Sea Serpent tavern, a member of the King’s Council named Meran-Nelja Reggis is found nailed to the floor of an upstairs room and eviscerated. Missing organs and fingers, as well as symbols painted in blood, point to the illegal teachings of Nherissa—or necromancy. The crime scene is spoiled when Cmdr. Erik is too drunk to contain the tavern’s crowds. Draius takes the case, aided by the handsome but inexperienced Lt. Lornis. Complicating matters are the shards of a magical artifact called the Kaskea, which create a bond with the Phrenii and which only the King may wield. Despite Tyrra’s reliance on science and procedure, anyone abusing pieces of the Kaskea has the power to upend their society. Reeve seamlessly combines disparate motifs to create an evocative new urban fantasy realm. Fascinating is the idea that Tyrra considers the word “unicorn” vulgar, and only children may touch the ethereal Phrenii without suffering ill effects (like shame and guilt). Tyrra is a place with a living history, the details of which (including a recent plague that affected birthrates) only enrich the story. Several first-person chapters from the killer’s perspective add tension as Reeve leads readers toward an otherworldly finale.
A lavish blend of urban crime and high fantasy.Pub Date: Oct. 27, 2015
ISBN: 978-0-9891358-3-2
Page Count: 350
Publisher: Cajun Coyote Media
Review Posted Online: March 4, 2016
Kirkus Reviews Issue: April 1, 2016
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)
Pub Date: April 1, 1999
ISBN: 0-671-02578-3
Page Count: 320
Publisher: Pocket
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 1999
Categories: GENERAL FICTION
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The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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