A gripping, intriguingly creepy tale of suspense.


A complex YA novel that synthesizes elements of crime drama, teenage angst, and the supernatural.

Ten-year-old Cathy Corbett is in anguish over her ill mother’s extended convalescence. Distraught and alienated, she befriends a mysterious young girl who calls herself “Bluebird” who lives with her father, Pete, in an abandoned house that’s rumored to be haunted. Pete forbids Bluebird to leave the house or receive visitors, and as a result, Cathy’s father becomes convinced that Bluebird is an imaginary friend that her daughter conjured to help her cope with the stress of her mother’s illness. After Cathy’s mom dies, the girl moves away to Toledo, Ohio, with her father. Six years later, Bluebird tracks her down and confides that she’s in trouble: Pete, she says, stole money from someone called “Fatman” and was killed as a result; she only managed to escape after shooting his murderer. Now she has the money that he stole—and two dogged assassins on her trail. The story also weaves in a fantastical element: before her mother died, Cathy became convinced that she’d summoned a demon named Kenny with a Ouija-like game; Bluebird believes that it’s a wraith—a creature that visits those about to die; Cathy thinks that she saw Kenny visit her mother and her own high school friend before their respective deaths. Ginter (Passionate Death, 2015, etc.) artfully obscures the line between the real and the hallucinatory, keeping it tantalizingly unclear whether Cathy is peculiarly attuned to the spirit world or simply going mad. The book’s depiction of youthful world-weariness is vivid and compelling, and its dialogue can be deliciously clever, as when Bluebird, hiding out in Cathy’s school, observes, “I’m like a backward truant. The first kid to escape to school.” Cathy’s life sometimes seems overburdened with woe; a subplot involving a cheating boyfriend and his mother’s death, for example, may strain readers’ credulity. Likewise, Bluebird’s back story, brimming with adventure and peril, has an unconvincing, comic-book–like feel to it. Still, at other times, Ginter has a gift for making the unlikely seem believable—a key element to a successful fantasy mystery.

A gripping, intriguingly creepy tale of suspense. 

Pub Date: Jan. 6, 2017

ISBN: 978-1-5375-3995-9

Page Count: 258

Publisher: CreateSpace

Review Posted Online: March 2, 2017

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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