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ALICE BLISS

It feels curmudgeonly to fault Harrington’s earnest, uplifting (and apolitical) approach to this topical subject, but the...

Playwright Harrington’s first novel, based on her one-woman musical, focuses on the upstate New York family of a National Guard reservist called into service during the Iraq War.

Salt-of-the-earth Matt Bliss considers it his moral obligation to serve his country, although he hates leaving behind his beloved, distraught wife Angie and his daughters: 8-year-old Ellie and 15-year-old Alice. Once he’s left for duty, Angie throws herself into her insurance career but can barely function domestically. Precocious Ellie starts wetting the bed and reading Matt’s dictionary aloud. Stalwart Alice, with whom Matt has always shared a special bond, tries to pick up the slack at home with only minimal success. For support she turns to her longtime best friend Henry, the unbelievably caring boy every mother hopes her teenage daughter will luck into as her first love. At the cusp of adolescence, Alice finds their relationship changing in confusing ways, especially when an older, popular but equally sensitive boy named John shows an interest in her. Teenage romance takes the passenger seat when word comes that Matt has been declared MIA. Fortunately, the Blisses receive succor from Angie’s mother and brother, as well as many friends in their idyllic small town. Angie rises to the challenge, helping her daughters function day by day. By the time they learn Matt's fate, Angie and Alice have struggled past minor mother-daughter tensions to offer each other consolation. Alice is in many ways a different girl by story's end. The novel closes with a lovely image that theatrically arcs back to the opening scene.

It feels curmudgeonly to fault Harrington’s earnest, uplifting (and apolitical) approach to this topical subject, but the surfeit of sensitivity weakens its impact and the reader's interest.

Pub Date: June 6, 2011

ISBN: 978-0-670-02278-6

Page Count: 320

Publisher: Pamela Dorman/Viking

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: May 15, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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