A must-read.
Two bereft people find themselves seeking a garden at the top of a hill in Ōtsuchi, Japan, where a disconnected phone allows the grief-stricken to send their voices into the wind as they talk to those they have lost.
In March 2011, an earthquake off the coast of Japan caused an enormous tsunami that reached miles inland, killing an estimated 15,897 people. The resulting devastation of people, places, and families redefined a generation in northeast Japan, including—in this book—a woman named Yui, who lost both her mother and her 3-year-old daughter to the water even though they had followed emergency protocol and headed to a local shelter. Yui, now a radio station host in Tokyo, is hamstrung by her grief. But then she hears about a phone box where the grieving can send their voices on the wind to their lost loved ones, and she makes her pilgrimage. Upon her arrival at the town, she spots a man with a youthful face and gray hair who, it seems to her, has “a corner of darkness” in his features, as does she. He is seeking the phone box to speak with his lost wife, the mother of his young daughter. This wonderful, gentle, hopeful story leads the reader through the beginning of Yui and Takeshi’s 30 years together. Through their sorrow and grief, they learn how to let happiness, hope, joy, and laughter reside side by side with their memories of loss. It is a beautifully written book. Messina—an Italian who has lived in Tokyo for 15 years—writes in a way that’s evocative of Kazuo Ishiguro but in an opposite way: While Ishiguro leads with comfort and hints at the sadness to come, Messina offers grief and sadness first but offers the reader a trail of breadcrumbs toward future happiness.
A must-read.Pub Date: March 9, 2021
ISBN: 978-1-4197-5430-2
Page Count: 416
Publisher: Overlook
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
BOOK REVIEW
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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