Poet Kasischke’s second novel (after Suspicious River, 1996) is a mix of the fine and the irritating that glides slowly downward to an airy nothing. Life in suburban Garden Heights, Ohio, becomes at once more exciting and more miserable for teenaged Katrina Connors when she falls in love with classmate and next-door neighbor Phil: the new-found sex is wonderful, but Katrina’s already exceeding-strange mother gets suddenly all the more antagonistic, cruel, and unpredictable—and then disappears entirely, never to be heard from again except for one phone call (or so Kat believes) declaring she—ll never come home again. Good riddance, many a reader will say, to this woman who through boredom, sexual unhappiness, ingrained habit, pure spite, and unmitigated meanness routinely derided her admittedly dull-witted husband (a school administrator named Brock) and did no better by her daughter, choosing her name because “She wanted a cat,” overfondling her in childhood, then manically humiliating her in teenhood when Phil comes on the scene. Nevertheless, Mom’s disappearance triggers a sense of enormous emptiness in Kat (—there are no adjectives for this lightness I feel, this whiteness—) that gets labeled “anxiety disorder,” parallels suburban Ohio’s emptiness itself, and takes her to a psychoanalyst, where—well, where the book’s trouble begins, seeming uncertain where to go next. A year will pass, two, then three; Kat starts college; Phil and Kat break up; we meet eccentric grandmothers, Phil’s mother (she’s blind), Kat’s girlfriends (they smoke, drink, and gossip in the basement), the Detective Scieziesciez (it’s pronounced ’shh-shh-shh—), whom Kat seduces (he’s more manly than Dad), beginning a long affair; and then, and then . . . . Then all will end surprisingly indeed, with Mom, as it happens, never having left home at all, but just, well—chilling out. Ambitious writing in equal parts elegant and excessive, with a psychology that spins out of control and goes poof.
Pub Date: Jan. 1, 1998
ISBN: 0-7868-6366-8
Page Count: 240
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1998
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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