Poet Kasischke’s second novel (after Suspicious River, 1996) is a mix of the fine and the irritating that glides slowly downward to an airy nothing. Life in suburban Garden Heights, Ohio, becomes at once more exciting and more miserable for teenaged Katrina Connors when she falls in love with classmate and next-door neighbor Phil: the new-found sex is wonderful, but Katrina’s already exceeding-strange mother gets suddenly all the more antagonistic, cruel, and unpredictable—and then disappears entirely, never to be heard from again except for one phone call (or so Kat believes) declaring she—ll never come home again. Good riddance, many a reader will say, to this woman who through boredom, sexual unhappiness, ingrained habit, pure spite, and unmitigated meanness routinely derided her admittedly dull-witted husband (a school administrator named Brock) and did no better by her daughter, choosing her name because “She wanted a cat,” overfondling her in childhood, then manically humiliating her in teenhood when Phil comes on the scene. Nevertheless, Mom’s disappearance triggers a sense of enormous emptiness in Kat (—there are no adjectives for this lightness I feel, this whiteness—) that gets labeled “anxiety disorder,” parallels suburban Ohio’s emptiness itself, and takes her to a psychoanalyst, where—well, where the book’s trouble begins, seeming uncertain where to go next. A year will pass, two, then three; Kat starts college; Phil and Kat break up; we meet eccentric grandmothers, Phil’s mother (she’s blind), Kat’s girlfriends (they smoke, drink, and gossip in the basement), the Detective Scieziesciez (it’s pronounced ’shh-shh-shh—), whom Kat seduces (he’s more manly than Dad), beginning a long affair; and then, and then . . . . Then all will end surprisingly indeed, with Mom, as it happens, never having left home at all, but just, well—chilling out. Ambitious writing in equal parts elegant and excessive, with a psychology that spins out of control and goes poof.
Pub Date: Jan. 1, 1998
ISBN: 0-7868-6366-8
Page Count: 240
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1998
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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