A delightful account of one fanciful little girl’s enchanted day in Cuba.

DALIA'S WONDROUS HAIR / EL CABELLO MARAVILLOSO DE DALIA

One magical morning, Dalia awakes to find her hair has grown up toward the sky, “tall and thick as a Cuban royal palm tree.”

Throughout the day, to the shock of her neighbors, Dalia covers her wondrous hair with natural material from the environment around her in order to do something truly special, making for an imaginative story. She stuffs and squishes wild tamarind, coontie leaves and mud into her hair, turning it into a butterfly garden overnight. The mixed-media illustrations depict tender interactions between Dalia and the natural world, enhancing the feeling of whimsy. Further enriching the story is the appearance of flora and fauna specific to Cuba. The vibrant illustrations stretch across full pages, the deeply saturated colors and assured lines drawing readers’ eyes across each spread. The placement of the bilingual text is a little sporadic, at times being side-by-side and other times above-and-below, but the presentation of the book overall is excellent. A bilingual author’s note provides further information about the plants and animals referenced and presents instructions for creating one’s own butterfly garden.

A delightful account of one fanciful little girl’s enchanted day in Cuba. (Bilingual picture book. 3-6)

Pub Date: May 31, 2014

ISBN: 978-1-55885-789-6

Page Count: 32

Publisher: Arte Público

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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Though this celebration of community is joyful, there just is not much here.

ONE LOVE

A sugary poem, very loosely based on the familiar song, lacks focus.

Using only the refrain from the original (“One love, one heart, let’s get together and feel all right!”), the reggae great’s daughter Cedella Marley sees this song as her “happy song” and adapts it for children. However, the adaptation robs it of life. After the opening lines, readers familiar with the original song (or the tourism advertisement for Jamaica) will be humming along only to be stopped by the bland lines that follow: “One love, what the flower gives the bee.” and then “One love, what Mother Earth gives the tree.” Brantley-Newton’s sunny illustrations perfectly reflect the saccharine quality of the text. Starting at the beginning of the day, readers see a little girl first in bed, under a photograph of Bob Marley, the sun streaming into her room, a bird at the window. Each spread is completely redundant—when the text is about family love, the illustration actually shows little hearts floating from her parents to the little girl. An image of a diverse group getting ready to plant a community garden, walking on top of a river accompanies the words “One love, like the river runs to the sea.”

Though this celebration of community is joyful, there just is not much here. (afterword) (Picture book. 3-5)

Pub Date: Oct. 5, 2011

ISBN: 978-1-4521-0224-5

Page Count: 32

Publisher: Chronicle Books

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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THE GRUFFALO

The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)

Pub Date: June 1, 1999

ISBN: 0-8037-2386-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 1999

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