Insight, good humor, and generous hearts abound in this readable but baggy saga of starting afresh, which opens with...
The pileup of crises in the life of a Scottish-born businessman comes with a silver lining: an opportunity to mend old wounds and make things right.
It never rains but it pours these days for Johnny MacKinnon, who has been diagnosed with a potentially cancerous brain cyst just as the U.S. Occupational Safety and Health Administration has brought a claim of negligence against his creaky old ice-making factory, the Bold City Ice Plant, after a leak of ammonia gas. The fines could sink the business. Then there’s his shattered relationship with his 30-year-old son, Corran, whose heroin addiction has survived three stints in rehab. Father and son are no longer speaking after Corran’s last visit, when some important valuables went missing. Is Corran clean, now that he’s a single parent to baby daughter Lucy? And what about Johnny’s two wives? Current partner Pauline is beginning to regret never having children of her own, while his previous wife, Sharon, is struggling with her own husband’s incipient dementia alongside Corran’s need for child care help. Smith (Hearts of Palm, 2013) kick-starts her second novel, set (like her first) in the environs of Jacksonville, Florida, with this busy agglomeration of dilemmas but then shifts gear, relinquishing the sense of urgency as Johnny—in the company of a comic-foil teenager, Chemal, who will act as driver—returns to Scotland for an uneasy reunion with Sharon and Corran. Although the clock is ticking on Johnny’s brain surgery and the OSHA investigation, the novel meanders indulgently on either side of the Atlantic until a near-death experience reorders the landscape. Now, it turns out, there’s a solution to every obstacle.
Insight, good humor, and generous hearts abound in this readable but baggy saga of starting afresh, which opens with originality but closes with an excess of tidily ticked boxes.Pub Date: Dec. 5, 2017
ISBN: 978-0-8021-2708-2
Page Count: 464
Publisher: Grove
Review Posted Online: Aug. 29, 2017
Kirkus Reviews Issue: Sept. 15, 2017
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
