A standout, vividly written story of wartime.
A young girl tells of life in a small French town toward the end of World War II in this historical novel.
Debut novelist Obolensky lets Tina, who’s 9 going on 10, tell this story set in the spring of 1944. Because of health problems, Tina has been sent from Paris to the town of Dormans in France to live with the Marchands—mother Nanette, father Bébert, their son, Guigui, and grandmother Mémé. Dormans is under occupation by the Nazis, so fear, tension, and resentment abound. But already, rumor has it that the tide has turned in the war and it will be only a matter of time before the Americans come to liberate the town. Meanwhile, life goes on, and readers get to know and love the Marchands and several other characters in the area—some suspect, some quirky, and some generous; the Germans (known as “the Boches”) are, of course, deeply despised. This is a story of Tina learning fearful truths and navigating the darker recesses of life while also being cherished by the Marchands. (Her tale is bookended by that of a mature Tina’s return, years later, for the funeral of one of her relatives.) The author makes sure that tragedy stalks the story, as when one key character is shot dead by a German squad on patrol. Tina also witnesses the love between a German soldier, Oberleutnant Redlich, and Odile Rouleau, her schoolteacher, and no good comes of that situation, either. Overall, Obolensky writes very well—lyrically, in fact, and with acute understanding. For example, Tina explains her happiness in the Marchands’ house this way: “I was a chameleon and joy was the color of the moment.” The author’s description of the hysterical hilarity of the town’s eventual liberation is also spot-on, and characters’ deaths can be heart-wrenching. There are some distracting typos, including missing commas, but the beauty of the prose overwhelms these flaws.
A standout, vividly written story of wartime.Pub Date: March 2, 2017
ISBN: 978-1-4835-9085-1
Page Count: 346
Publisher: BookBaby
Review Posted Online: April 18, 2017
Kirkus Reviews Issue: May 15, 2017
Review Program: Kirkus Indie
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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