by Laura Preble ‧ RELEASE DATE: Feb. 4, 2020
A razor-sharp, oddly fun but sometimes clunky romp through the American West.
A borderline recluse in California with a few mental problems embarks on a road trip to her psychologist’s wedding in this novel.
Anna Beck suffers from an uncommon condition. She has trichotillomania, a disorder that leads her to pull every hair out of her body. She also has obsessive-compulsive disorder, so accomplishing ordinary tasks can be quite difficult. Nonetheless, she possesses a witty and sardonic sense of humor and goes to great lengths to tackle her problems. As a germophobe, she finds a laundromat called the Fluffitorium disgusting, so she arranges with the owner to clean the place after it closes so she can disinfect it while free from other people contaminating the premises. As it happens, she met her psychologist, Dr. Edward Denture, at the Fluffitorium when he boldly used her reserved washing machines (“I know that’s an unusual place to meet someone who would change the course of your life, but we both had run out of underwear,” Anna muses). Now, an envelope arrives in the mail, inviting Anna to Edward’s wedding in Colorado. Six months before, she thought she was in love, or at least lust, with Edward but now he is engaged to April Fennimore-Klein. With Anna’s disorders, travel is next to impossible but she cannot fathom Edward’s getting married and wants to stop the wedding. She coerces her friend Petra into securing a car for her, and then, armed with an inordinate amount of hand sanitizer and disinfectant wipes, puts her wig on straight and heads out on the road. Things go smoothly for a while, but a bizarre, transient mother and daughter latch on to Anna, throwing her already madcap life into further disarray. The protagonist’s acerbic wit and mordant tone work well in the difficult material in Preble’s unconventional road novel. With a downstairs neighbor from Flatbush, Brooklyn, added to the mix, Anna’s small world is full of biting humor effectively used to deal with personal pain, and it keeps the story from getting too heavy. Flashbacks to sessions with Edward are handled well and have insightful moments, though Anna’s reticence to reveal things slows the tale down a bit. Unfortunately, the only other major characters, the troubled mother and daughter, are mostly an annoyance until the story is too far along for it to matter.
A razor-sharp, oddly fun but sometimes clunky romp through the American West.Pub Date: Feb. 4, 2020
ISBN: 978-1-64307-136-7
Page Count: 272
Publisher: Mascot Books
Review Posted Online: Feb. 12, 2020
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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