A spare, almost-too-sweet story that displays Pritchett’s gift for dialogue and compelling characters.
First-novelist Pritchett explores definitions of love and goodness in the same eastern Colorado hardscrabble landscape of her award-winning story collection (Hell’s Bottom, Colorado, 2001).
When Libby’s younger sister, Tess, discovers she’s pregnant, Libby offers to raise the baby if Tess agrees not to abort. Twenty-two-year-old Libby secretly hopes Tess will decide she loves the baby once it’s born and abandon her plans to leave their isolated ranching community, but as soon as she graduates from high school, Tess heads off to Durango, and Libby starts raising baby Amber, helped grudgingly by her beautiful but embittered mother, Kay, a ranch-hand who left most of Tess’s rearing to Libby. Libby, a supermarket clerk, goes through her days learning how to be Amber’s mother, supported by a circle of imperfect but goodhearted friends who admire her courage. Her boyfriend, Derek, is gentle and kind but unwilling to commit to the baby, partly because he senses Libby doesn’t love him fully enough. Meanwhile, Libby’s nearest neighbor, Miguel, is raising his small son alone since his wife, Libby’s best friend, committed suicide. Miguel feels responsible for that suicide and has agreed to marry a pregnant stranger crossing the border illegally from Mexico so she can get papers. From Ed, an eccentric who’s moved to town to raise bees, Libby learns that Tess has gotten involved with the coyotes bringing in the illegals. On it goes: Libby’s boss catches her stealing beer but says everyone deserves a second chance; Kay and her rancher boss fall in love; Derek and Libby break up. Simon, Amber’s father and an active member of the Cowboy Christian Fellowship, at first wants nothing to do with his daughter. Then, spurred by his genuinely concerned parents, he briefly pursues custody until Ed, a kind of hippie fairy godfather, brings Tess and Libby together to fight for Libby’s right to keep Amber.
A spare, almost-too-sweet story that displays Pritchett’s gift for dialogue and compelling characters.Pub Date: May 10, 2005
ISBN: 1-57131-046-0
Page Count: 228
Publisher: Milkweed
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2005
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
