Simple and pleasing, with classroom-discussion and read-aloud appeal
A leaf's various purposes are contemplated in this gentle celebration of nature.
Fresh leaves burst forth in Salas’ opening stanza, followed by two- to four-word couplets listing a leaf’s many functions. This pattern continues for fall and winter, allowing her rhymed verse to reinforce the cyclical nature of the seasons. What pours forth in free-association–like fashion is sometimes poetic (“Wind rider / Lake glider”), oftentimes purposeful (“Air cleaner / Earth greener”) and mostly playful (“Frost catcher / “Moth matcher”). Dabija’s soft, ethereal illustrations lend a warmth and vibrancy to the text. Her palette, dictated by the weather, is full of lush greens, sultry browns, golden yellows and dusky blues. Through heavy use of the computer, she layers textures into varied patterns and shapes, giving each illustration an organic feel. While this effect is skillfully used on the backgrounds, it is less effective on the primary objects, leaving people and animals to appear pasted in, rather than integrated into the artwork. Compositionally, the images are nicely designed, but since one does not visually lead to the next, they are more like tableaux than a continuous visual narrative. An addendum explaining the author’s word choices (what does she mean by “mouth filler”?) is included, as well as a suggested reading list and glossary.
Simple and pleasing, with classroom-discussion and read-aloud appeal . (Picture book. 5-8)Pub Date: March 1, 2012
ISBN: 978-0-7613-6203-6
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: Jan. 3, 2012
Kirkus Reviews Issue: Jan. 15, 2012
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
A retro-futuristic romp, literally and figuratively screwy.
Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.
Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)
A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-544-98731-9
Page Count: 32
Publisher: Clarion Books
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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