This meticulously researched account of a fatal love affair carefully questions the nature of guilt and capital punishment...

A TALE OF TWO MURDERS

GUILT, INNOCENCE, AND THE EXECUTION OF EDITH THOMPSON

An exhaustive look into the passionate love affair that led to one of the most infamous murders in 1920s England.

Moving beyond the standard courtroom drama, Somerset Maugham Award winner Thompson (Agatha Christie: A Mysterious Life, 2018, etc.) painstakingly details the life and death of Edith Thompson, an Essex woman who gained notoriety in 1922 as she and her lover stood trial for the murder of her husband. The secret romance between Edith and Freddy Bywaters captivated and shocked a nation, as her love letters were introduced as evidence during their trial. For more than a year, Edith had cherished what few precious moments she could spend alone with her younger lover. The bulk of the narrative focuses on these brief trysts as described in Edith’s writing, although the chronology of events becomes a bit knotted as the story reaches its tragic end. There was little doubt of Bywaters' guilt when he was accused of fatally stabbing Edith's husband, but as the intimate details of her affair became public, her role in the death of her husband was called into question. Although never intended for an audience, Edith’s love letters, which “were perceived to redefine the concept of shamelessness,” earned her lasting notoriety while also sealing her fate. Female sexuality, adultery, abortion: Edith wrote honestly about the issues affecting her and many other women but were deemed too taboo to discuss openly. As elaborately chronicled by the author, who displays a profound sympathy for her subject, Edith's own words were enough to condemn her in the court of public opinion well before she was sentenced to death in a court of law.

This meticulously researched account of a fatal love affair carefully questions the nature of guilt and capital punishment in polite society, offering up a more profound lesson than is likely to be found in a typical true crime novel.

Pub Date: Nov. 6, 2018

ISBN: 978-1-68177-871-6

Page Count: 448

Publisher: Pegasus

Review Posted Online: Aug. 21, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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