by Laura Thompson ‧ RELEASE DATE: Sept. 6, 2016
Thompson has fallen under the spell of the breathtakingly beautiful (as she repeatedly insists), seductive Diana, but...
A fresh look at six outrageous sisters.
There has been no lack of attention to the notorious Mitford sisters, including biographies of Unity Valkyrie Mitford, who, scandalously, adored Hitler; Diana, who married the outspoken fascist Sir Oswald Mosley; and writer Nancy, the subject of Life in a Cold Climate (2003) by Somerset Maugham Award winner Thompson herself (A Different Class of Murder: The Story of Lord Lucan, 2014, etc.). Added to those are family memoirs, collections of letters, and a previous group biography, Mary S. Lovell’s The Mitford Girls (2001). Yet for readers yearning for another take on the glamorous sisters’ “posh past,” Thompson’s smart, jaunty, and wittily entertaining book will amply fill their desire. Steeped in Mitford lore and mythmaking, the book offers sharply drawn portraits of each woman, teases out the complexities of their fraught, competitive relationships with one another, and sets their lives within the context of a radically changing world. “These girls are prize exhibits in a Museum of Englishness,” admits the author, but she shows how they were much more. Born between 1904 and 1920, the sisters grew up imbibing the etiquette of debutante balls and the personal consequences of global upheaval; their friends were the fey Bright Young Things, “sublimely clever aesthetes”; their enemies were legion. “Snobbery, shallowness, stupidity, adultery, unpalatability—the Mitfords were accused of all these things and rode out every criticism,” Thompson writes admiringly. They fervently believed they were exceptional, even Jessica, who rebelled vehemently against the family’s politics. Unity never married, and others chose startlingly unsuitable mates: Diana left her adoring, hugely wealthy, but unfortunately dull husband for the rake Mosley; and Pamela married opinionated, philandering bores; Jessica ran off with a communist, with whom she lived in poverty. Deborah, though, made a more suitable match, with an eminent duke who owned assorted castles.
Thompson has fallen under the spell of the breathtakingly beautiful (as she repeatedly insists), seductive Diana, but otherwise, her cleareyed view of the sisters’ strengths and foibles makes this gossipy story a delight.Pub Date: Sept. 6, 2016
ISBN: 978-1-250-09953-2
Page Count: 480
Publisher: St. Martin's
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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