A compassionate, often funny examination of shared family grief and love.
Two adult siblings move in together and struggle to come to terms with the long-ago loss of their disabled sister and their own troubled relationship.
Like most siblings, the middle-aged Mellishman sisters at the heart of Zigman’s amusing yet poignant new novel have chapters of history propping them up and weighing them down. Newly divorced Joyce, an archivist in Cambridge, is getting used to solitude again, whiling away her time on a neighborhood site called Small World, turning her neighbors’ queries and complaints into strange but potent poetry. The act, she says, is therapeutic—and also easier than addressing the nagging questions about her own life. When Lydia, her older sister, leaves LA for the East Coast, Joyce invites her to move in for a while, secretly hoping proximity will force them to forge a bond they never quite managed to build. But they still can’t seem to communicate or talk about their past. Their childhoods were laser-focused on Eleanor, their severely disabled sister, who died at 10. But although Eleanor’s life was short, her impact was lasting, especially on her sisters, who learned to hide their own fears and problems in order to focus on hers. Zigman, who excels at depicting the emotional push and pull of sibling relationships, examines the conflicts and grief that play out in a family dealing with a disabled child with compassion and honesty. Yet she never loses her sharp sense of humor, as evidenced by the hilarious ongoing war between Joyce and her new upstairs neighbors, who seem to be running a yoga studio. As she reveals secrets previously unknown to Joyce, Zigman doesn’t shy away from discussing the hardships the Mellishmans faced, but she also highlights small moments of wonder and joy that illuminate the sisters’ shared path. The world might feel small, Joyce learns, but the power of hope always looms large.
A compassionate, often funny examination of shared family grief and love.Pub Date: Jan. 10, 2023
ISBN: 978-0-06-308828-3
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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