This charming, engrossing tale set in a vividly realized world is expertly paced and will appeal to fans of wilderness...
When the bell rings and the green boat emerges from the mist, gliding up into the cove, Jinny knows that it is time: time for her beloved Deen to leave and for a new child to take his place.
Now Jinny will become the Elder, and the balance of life on the island will be maintained. The ragtag bunch of nine orphans—each one “boat” (year) apart in age—are the sole human residents of a benevolent wilderness, busy chasing wild kittens and harvesting honey from docile bees, reading from a stockpile of tattered books, and inducting each new arrival into their ways. Once someone broke the rule about never picking the last of anything, but having experienced the consequences (no more curlyferns!), they are careful now to behave. That is, until Jinny—spirited, curious, and defiant—decides to break the most sacred rule of the island, throwing their universe frighteningly out of whack. The children’s hair (black, red, blond) and eyes (blue, brown) are described, and Jinny remarks on the dark skin of two of her fellow orphans; the cover art shows a girl with dark brown skin. Despite the idyllic setting, one where children can safely fling themselves off cliffs and surf air currents, the story is suffused with melancholy and the haunting absence of parents and former residents. The mystery of the children’s origins and the source of their stockpile of supplies are never resolved, perhaps indicating a sequel to come.
This charming, engrossing tale set in a vividly realized world is expertly paced and will appeal to fans of wilderness adventure stories and character-driven relationship novels alike. (Fiction. 9-13)Pub Date: May 30, 2017
ISBN: 978-0-06-244341-0
Page Count: 288
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Thrills galore for gamers willing to go along for the ride.
A new virtual-reality theme park goes haywire on a crowd of young victims, er, visitors in Alexander’s latest screamfest.
Having scored one of just 100 coveted preview tickets to a cutting-edge, kids-only venue dubbed ESCAPE, budding amusement park fan and designer Cody Baxter is looking forward to a life-changing experience. What he gets is more of a life-threatening one, as games and rides with names like Triassic Terror and Haunted Hillside not only pit him against a monster and then zombies—or sometimes a monster and zombies—as well as ruthless competing players, but seem tailored to play on individual personal terrors. And, in some never explained way, the VR quickly turns into real battles that inflict real wounds even as the real settings shift with sudden, dizzying unpredictability. Teaming up with loyal new friends Jayson Torn and Inga Andersdottir, the former described as being Japanese and White and the latter as Norwegian, Cody (who seems to default to White) struggles for survival, learning ultimately that ESCAPE was created by an evil genius with an ulterior motive who is convinced that he can teach children a salutary lesson. The plot’s no more logical in its twists and contrivances than the premise, but the author’s knack for spinning out nightmarish situations is definitely on display here as the tale careens toward a properly lurid outcome.
Thrills galore for gamers willing to go along for the ride. (Light horror. 9-12)Pub Date: June 7, 2022
ISBN: 978-1-338-26047-2
Page Count: 240
Publisher: Scholastic
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
