by Lauren Bacall ‧ RELEASE DATE: Oct. 10, 1994
Following in the monosyllabic wake of Katharine Hepburn's Me comes Bacall's Now: essays on love, work, children, and friendship. They're a bit makeshift but very human and, finally, offer a likable portrait of an interesting, complex survivor. For those who haven't heard from Bacall since her 1979 autobiography By Myself, she's a bit lonely. She's married off her children, and they all have a pretty good relationship, even though everyone has had ups and downs. She's trying to sell her house in Amagansett, N.Y., because she's not there enough, what with trips to London and Paris. She's ``traveling solo'': no men on the horizon, though at this point she feels she could align herself with Mr. Right. But is he ever hard to find! If the truth be told, there's never been anyone to match Bogie (and this, Bacall says, is the right spelling). In fact, these days she's practically channeling him (``the core of Bogie resides in me''). It's hard to get work even for a legend, and work is what has always defined her. So she's feeling a little tender and wondering what the future holds in store and after all, no one said life was easy. She emerges, even with a mantel full of little Henry Moores and memories of an amazing list of friends (Lenny Bernstein, Spence Tracy, Larry and Vivien, etc.), like an American woman approaching 70. She's a classy Jewish mother who tries to remain nonjudgmental as her only daughter, Leslie, is married by a Tibetan priest. And Bogie's baby is a grandma (she doesn't babysit). In describing how she took Leslie to the L.A. house on Mapleton Drive that she shared with Bogart and their two young children, she tries hard to show us that they were not just celluloid myths—they were real. Bacall's reminiscences of famous people are a little too dutiful. (Where is her famous sense of humor?) But her documentation of getting older, like Hepburn's, is real and recognizable to the aging rest of us. (40 b&w photos, not seen) (First printing of 200,000; Book-of-the-Month Club selection)
Pub Date: Oct. 10, 1994
ISBN: 0-394-57412-5
Page Count: 224
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1994
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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