A touching story about the themes that resonate through centuries.
A woman’s attempts to uncover an archaeological mystery lead to a bigger discovery: herself.
Hannah Larson and her 9-year-old son, Nicky, have packed up their Upper West Side bags and moved into Ashton Hall, a stately manor near Cambridge, England. They were intending to keep Christopher, Hannah’s honorary uncle, company while he undergoes cancer treatment, but unbeknownst to Hannah, he has made other plans to get care in New York City. Thus Hannah has Christopher’s apartment to herself, as well as the time and space to work on her long-put-aside dissertation and to contemplate her husband’s betrayals. That is until Nicky, a quirky child with troubling outbursts of violence, makes a shocking discovery: Hidden away in an enclosed room in the walls of Ashton Hall is a redheaded skeleton. A team of archaeologists descend on the manor to learn more about the skeleton, whom they discover lived in the 1500s and is named Isabella Cresham: “Isabella Cresham has never been a ghost, haunting us,” one of the manor's other residents says to Hannah. “Tells you something about ghosts. If you don’t fear their presence, they leave you alone. We’ll see if she starts haunting us now.” Hannah, clearly haunted from the moment she lays eyes on Isabella, begins to see parallels between their lives as she deals with the nagging question: Did Isabella choose this life, or was she locked away? Hannah pours over Isabella’s sketchbooks and letters, piecing together Isabella’s life while interweaving her own anxieties and dreams into Isabella’s story. The first third of the book drags, and somehow the discovery of a skeleton in a hidden room is the least compelling part of the entire novel. That said, its strength comes from the archaeological details (did you know that the pigment that creates red hair is the slowest to break down?) as well as the grace and attention given to both Hannah and Isabella—two women separated by hundreds of years but bound by a common humanity.
A touching story about the themes that resonate through centuries.Pub Date: June 7, 2022
ISBN: 978-0-593-35949-5
Page Count: 416
Publisher: Ballantine
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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