CITY OF LIGHT

An ambitious, vividly detailed and stirring debut novel offering a panorama of American life at the beginning of the 20th century. Louisa Barrett, the bright, outspoken, handsome but rigidly proper headmistress of the exclusive (and progressive) Macaulay School for Girls in Buffalo, where the city’s elite send their daughters, seems at first an unlikely heroine. In fact, she harbors an astounding secret: she’s been the mistress of a powerful national politician and has given birth to a daughter. The child was adopted by a wealthy local couple, Louisa’s best friends, and Louisa owes her position partly to political influence: the elite have joined to protect the President’s reputation by sheltering Louisa. All of that is threatened, though, when the adoptive father, Tom Sinclair, is implicated in the death of the chief engineer at the new Niagara power station. Tom, a technological visionary, is director of that same electricity-generating station. Louisa, in an attempt to save him (and her daughter, an affectionate child who assumes that her mother is simply a good family friend), begins to investigate. Louisa’s persistent inquiries offer Belfer an opportunity to create a cross-section of American society in a turbulent time; ranging from the slums to the grand houses of a city then very much in the ascendant, her narrative encompasses everything from labor turmoil and the struggles being waged by minorities (women, immigrants, blacks) for a voice, to the dazzling dreams of visionaries like Tom Sinclair, who imagines that technology will bring equality in its wake. Belfer keeps a large, fascinating, exuberant cast well in motion, and Louisa, who manages to resolve the murder mystery but loses much in the process, is a vulnerable, complex, and believeable heroine. Belfer’s portrait of the nation at a hard if ebullient time, while likely to remind some readers of Doctorow’s Ragtime, is less chilly and more subtle than that work, and very gripping. A remarkably assured and satisfying first novel. ($200,000 ad/promo; Book-of-the-Month main selection; author tour)

Pub Date: May 11, 1999

ISBN: 0-385-33401-X

Page Count: 518

Publisher: Dial Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1999

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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