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RAISING THE BARRE

BIG DREAMS, FALSE STARTS, AND MY MIDLIFE QUEST TO DANCE THE NUTCRACKER

An amusingly shrewd memoir of following a lifelong dream.

Kessler (Counterclockwise: My Year of Hypnosis, Hormones, Dark Chocolate, and Other Adventures in the World of Anti-aging, 2013, etc.) chronicles her obsession with dancing The Nutcracker.

When her husband set off on a three-week business trip to Paris, our narrator decided to go on a Nutcracker ballet binge. She attended performances in New York, Boston, Chicago, Los Angeles, and her hometown of Eugene, Oregon. Kessler has always loved ballet. She trained with André Eglevsky of Balanchine’s American Ballet Theatre until she overheard the bad news the great dancer delivered to her mother: “ ‘She has the wrong body.’ I heard the words “bottom heavy’ and ‘thighs.’ And my throat closed.” Thus ended her girlish lack of self-consciousness about her body and began her uneasy relationship with mirrors. However, years later as an adult, watching all of those performances again inspired her—“I am drunk on dance. I am bewitched. I am on fire”—to embark on her “Nut Quest.” The dream, she writes, is full of the “stuff of life,” which includes “fear, angst, pride, self-doubt, arrogance, fragility, optimism, pessimism, discontent, happiness, restlessness.” To be sure, the author suffered plenty of doubt due to her age, but she also enjoyed the benefits of self-discipline and humility. Kessler has a wonderfully self-conscious mettle as well, not to mention a deft hand with the evocative expression of her inner feelings. She provides a useful vest-pocket history of ballet, and The Nutcracker in particular, and she ably captures the abundant physical punishment, including difficult experiences with yoga, Pilates, boxing, Gyrotonics, water jogging, and hours at the barre and on the floor. Ultimately, Kessler succeeded and was cast in “a named part,” an outcome readers will applaud.

An amusingly shrewd memoir of following a lifelong dream.

Pub Date: Dec. 1, 2015

ISBN: 978-0-7382-1831-1

Page Count: 272

Publisher: Da Capo

Review Posted Online: Oct. 5, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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