An amusingly shrewd memoir of following a lifelong dream.
Kessler (Counterclockwise: My Year of Hypnosis, Hormones, Dark Chocolate, and Other Adventures in the World of Anti-aging, 2013, etc.) chronicles her obsession with dancing The Nutcracker.
When her husband set off on a three-week business trip to Paris, our narrator decided to go on a Nutcracker ballet binge. She attended performances in New York, Boston, Chicago, Los Angeles, and her hometown of Eugene, Oregon. Kessler has always loved ballet. She trained with André Eglevsky of Balanchine’s American Ballet Theatre until she overheard the bad news the great dancer delivered to her mother: “ ‘She has the wrong body.’ I heard the words “bottom heavy’ and ‘thighs.’ And my throat closed.” Thus ended her girlish lack of self-consciousness about her body and began her uneasy relationship with mirrors. However, years later as an adult, watching all of those performances again inspired her—“I am drunk on dance. I am bewitched. I am on fire”—to embark on her “Nut Quest.” The dream, she writes, is full of the “stuff of life,” which includes “fear, angst, pride, self-doubt, arrogance, fragility, optimism, pessimism, discontent, happiness, restlessness.” To be sure, the author suffered plenty of doubt due to her age, but she also enjoyed the benefits of self-discipline and humility. Kessler has a wonderfully self-conscious mettle as well, not to mention a deft hand with the evocative expression of her inner feelings. She provides a useful vest-pocket history of ballet, and The Nutcracker in particular, and she ably captures the abundant physical punishment, including difficult experiences with yoga, Pilates, boxing, Gyrotonics, water jogging, and hours at the barre and on the floor. Ultimately, Kessler succeeded and was cast in “a named part,” an outcome readers will applaud.
An amusingly shrewd memoir of following a lifelong dream.Pub Date: Dec. 1, 2015
ISBN: 978-0-7382-1831-1
Page Count: 272
Publisher: Da Capo
Review Posted Online: Oct. 5, 2015
Kirkus Reviews Issue: Oct. 15, 2015
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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