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THE FAR AWAY BROTHERS

TWO YOUNG MIGRANTS AND THE MAKING OF AN AMERICAN LIFE

One of the most searing books on illegal immigration since Sonia Nazario’s Enrique’s Journey (2006).

Markham relies on her roles as a journalist and a worker in the realm of refugee resettlement and immigrant education to craft a powerful narrative about an experience that plays out every day in the United States.

Focusing primarily on one family’s struggle to survive in violence-riddled El Salvador by sending some of its members illegally to the U.S., the author never loses sight of the big-picture issues regarding immigration. Throughout, she inserts brief chapters about those concerns in a compellingly intimate narrative about the Flores family. Markham keenly examines the plights of juveniles sent to America without adult supervision, a large, constantly growing contingent that includes twins Ernesto and Raúl Flores, who sought to escape their hometown because they feared for their lives among the rampant gang violence plaguing their country. Knowing almost nothing about the U.S., the Flores twins lacked both money for their journey and any marketable job skills, and they spoke no English. Their journey was harrowing, to say the least (spoilers omitted), and their transition to life in the U.S., mostly in Oakland, continues, raising new difficulties each day. As they have tried to balance their minimum-wage restaurant jobs with education, the schooling has suffered. Meanwhile, their parents and most of their siblings continue to live in highly dangerous circumstances in El Salvador. Markham met the twins in her job as a counselor at a public high school with a heavy influx of juvenile refugees without documentation, and her experience in that role informs the eye-opening narrative. Most of the book takes place before the election of Donald Trump, but it’s clear that the policies of the new administration will make the lives of the Flores twins and countless others even more terrifying.

One of the most searing books on illegal immigration since Sonia Nazario’s Enrique’s Journey (2006).

Pub Date: Sept. 12, 2017

ISBN: 978-1-101-90618-7

Page Count: 320

Publisher: Crown

Review Posted Online: June 13, 2017

Kirkus Reviews Issue: July 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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