One of the most searing books on illegal immigration since Sonia Nazario’s Enrique’s Journey (2006).

THE FAR AWAY BROTHERS

TWO YOUNG MIGRANTS AND THE MAKING OF AN AMERICAN LIFE

Markham relies on her roles as a journalist and a worker in the realm of refugee resettlement and immigrant education to craft a powerful narrative about an experience that plays out every day in the United States.

Focusing primarily on one family’s struggle to survive in violence-riddled El Salvador by sending some of its members illegally to the U.S., the author never loses sight of the big-picture issues regarding immigration. Throughout, she inserts brief chapters about those concerns in a compellingly intimate narrative about the Flores family. Markham keenly examines the plights of juveniles sent to America without adult supervision, a large, constantly growing contingent that includes twins Ernesto and Raúl Flores, who sought to escape their hometown because they feared for their lives among the rampant gang violence plaguing their country. Knowing almost nothing about the U.S., the Flores twins lacked both money for their journey and any marketable job skills, and they spoke no English. Their journey was harrowing, to say the least (spoilers omitted), and their transition to life in the U.S., mostly in Oakland, continues, raising new difficulties each day. As they have tried to balance their minimum-wage restaurant jobs with education, the schooling has suffered. Meanwhile, their parents and most of their siblings continue to live in highly dangerous circumstances in El Salvador. Markham met the twins in her job as a counselor at a public high school with a heavy influx of juvenile refugees without documentation, and her experience in that role informs the eye-opening narrative. Most of the book takes place before the election of Donald Trump, but it’s clear that the policies of the new administration will make the lives of the Flores twins and countless others even more terrifying.

One of the most searing books on illegal immigration since Sonia Nazario’s Enrique’s Journey (2006).

Pub Date: Sept. 12, 2017

ISBN: 978-1-101-90618-7

Page Count: 320

Publisher: Crown

Review Posted Online: June 14, 2017

Kirkus Reviews Issue: July 1, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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