RIDING THE CYCLONE

GROWING UP FERAL IN THE '60S

Wiener is anything but subtle in this gripping memoir of her turbulent upbringing in the New York City suburbs.

When Wiener loses her mother tragically at the age of 6, rather than attempting to help his young daughter grieve, Wiener’s inattentive father hires a surly and often extremely violent nanny to raise his children. Though he ensures his children are materially cared for, Wiener’s father is neglectful of his feisty daughter’s emotional needs as she matures. In an attempt to avoid day-to-day family life, he sends them on international trips at every opportunity. To her peers, Wiener’s life must have seemed privileged and exotic with summers in Europe and extravagant ski trips; however, Wiener reveals the lifelong psychological turmoil caused by growing up with little parental supervision or nurturing. At times, Wiener’s accounts of the physical abuse she suffered at the hands of a clearly unstable nanny are so vividly intense that it’s difficult to imagine how she endured. Wiener is continually unsuccessful at her attempts to win attention or support from her father (even as he witnesses firsthand an abusive episode by the nanny) and is relieved to enter boarding school in Vermont for high school. Boarding school, however, fails to provide the acceptance she has been seeking as she struggles to fit in with peers who come from more harmonious families and backgrounds. Eventually, Wiener accepts her isolation and with the help of recreational drugs and music, she bides her time making knowingly bad decisions until she can begin her post-graduation life. A skillful writer, Wiener artfully weaves the raw emotion of her childhood suffering with the cultural experience of the United States during the 1960s and ’70s. The music and political events of the time create a strong backdrop framing Wiener’s memories and feelings without overpowering the private nature of her story. Intimate and absorbing, Wiener’s tale successfully captures the feelings of a spirited yet lost young child growing up in a tumultuous period in American history.

 

Pub Date: Dec. 2, 2011

ISBN: 978-1468011364

Page Count: 312

Publisher: CreateSpace

Review Posted Online: Jan. 17, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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