by Lauren Slater ‧ RELEASE DATE: Sept. 1, 1998
A perceptive and articulate young psychologist’s revealing memoir of ten years on Prozac, with all its blessings and curses. If Slater’s first book, empathetic stories about her patients, Welcome to My Country (1996), was remarkable for its self-revelations, this one is even more so. When Slater began taking Prozac in 1988, she was an intelligent but unemployed 26-year-old with obsessive-compulsive disorder and a long history of hospitalizations for depression, self-mutilation, and anorexia. Prozac changed her life. Despite the drug’s slow-acting nature, within nine days she felt well, and the difficult job of learning to live a normal life began for her. While she felt it suppressed her energies, curiosity, and creativity, she discovered that her life became “quiet but rich, a fine piece of music by Mozart.” She established a real home for herself, completed a doctoral program in record time, became a psychologist, director of a clinic, and a writer, and she fell in love. Long-term use eventually led to what she terms a “poop-out,” and Prozac became “a well-meaning buddy whose presence can considerably ease pain but cannot erase it.” Perhaps Slater’s deepest regret about her dependence on Prozac for a normal life is the effect it has had on her sexuality, a subject she explores with great frankness and considerable grace. She also ponders the question of what Prozac in fact does: is it a sort of psychic steroid providing a competitive edge in life? Or is it, rather, a conduit to what Jung called the essential self? For Slater it has undoubtedly allowed her to become the person she is—a psychologist with a keen sense of what it feels like to suffer the agonies of mental illness. Fortunately, despite her fears, it doesn—t appear to have seriously dampened her creativity. Heartfelt but never mawkish; eloquent but never slick; a lyrical account of a drug that has caused mounds of controversy. (Author tour)
Pub Date: Sept. 1, 1998
ISBN: 0-679-45721-6
Page Count: 224
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1998
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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