Articulates a dream and a love of Africa that makes Zimbabwe’s fate under Robert Mugabe seem all the more crueler.
Journalist St. John (Hardcore Troubadour, 2003, etc.) remembers growing up on a Rhodesian farm in the twilight of colonial Africa.
Her recollections of a mid-1970s girlhood have the engaging intimacy of Anne of Green Gables, counterpointed by the drumbeats of war in the background. Daily living was stressful for white farmers who saw the native majority’s freedom struggle as a terrorist nightmare. The author’s overprotective mother and workaholic father, a part-time soldier in the Rhodesian military forces, worked doggedly to secure Rainbow’s End Farm against an apocalypse that was, in retrospect, inevitable. Yet St. John nostalgically evokes her deep attachments to a bevy of animal companions, including a warthog named Beauty and an eight-foot python, and beautifully describes the harrowing birth during an epic African rainstorm of the stallion colt she’d wished for her entire life. Such timeless events can make politics seem trivial, if only for a moment. But less than ten pages after the colt’s arrival, the author is telling us about the .38 revolver she was given to keep in the car in case of an ambush. Her father also explained to her that landmines could be hidden under cow dung. St. John took refuge by mentally fleeing the whole situation whenever possible. Nonetheless, she was sensitive to—and portrays here in revealing detail—the nuances of manners and protocols practiced between whites and Africans, particularly as they slowly began to unravel in the ratcheting tension. Ultimately, her parents’ marriage unraveled as well. The family’s departure from Rainbow’s End when the author was 17 gives the book its heartbreaking dénouement. “In war and sometimes in marriage,” St. John reflects, “you start out on the right side, then history moves on and you’re on the wrong side.”
Articulates a dream and a love of Africa that makes Zimbabwe’s fate under Robert Mugabe seem all the more crueler.Pub Date: April 24, 2007
ISBN: 0-7432-8679-0
Page Count: 288
Publisher: Scribner
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2007
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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