Weisberger’s third effort (Everyone Worth Knowing, 2005, etc.), with the requisite girls’ nights out and disappointing men,...
Three single gals on the cusp of turning the big 3-0 shake up their romantic lives and deal with the consequences.
That Adriana, Emmy and Leigh have remained close since college is a testament to the strength of their bond, since personality-wise they could not be more different. Leigh is a neurotic book editor, Emmy is a financially struggling cooking aficionado and Adriana is a Brazilian knockout living off her rich parents in a swanky penthouse. After serial-monogamist Emmy is suddenly dumped by her longtime beau Duncan (for the personal trainer she hired for him), Adriana insists that the only way Emmy can get over him is by having torrid affairs with foreign men. Easy for the gorgeous Adriana to say. Emmy counters that if she can “slut out” then unrepentant man-eater Adriana has to, for once in her life, have a committed relationship. Let the games begin! Well, at least for Adriana and Emmy. Leigh, for her part, has a job she loves and a “perfect” boyfriend, hunky sportscaster Russell. Or is he perfect? When he proposes, she knows she should be happy, but she instead finds herself getting tangled up with bad boy novelist Jesse Chapman, who happens to be married. Meanwhile, Emmy, courtesy of her new job scouting restaurant locations, embarks on her erotic adventures, while Adriana nabs a slightly dorky big-time Hollywood director she struggles to remain faithful to. She also meets a magazine editor who, impressed by her effortless ways with men, gives Adriana her own advice column, “The Brazilian Girl’s Guide to Man Handling,” which sounds a lot like a sexed-up version of The Rules. The narrative is choppy (the book would have benefited from more editing), and the characters’ obsession with youth, as well as their displays of jealousy and cattiness, are tiring.
Weisberger’s third effort (Everyone Worth Knowing, 2005, etc.), with the requisite girls’ nights out and disappointing men, has some well-observed passages—and Adriana is a hoot—but it’s nothing we haven’t seen before, many times.Pub Date: June 1, 2008
ISBN: 978-1-4165-9019-4
Page Count: 296
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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