With rich people behaving scandalously on every page, this lemon is juicy and delicious.
Weisberger (The Singles Game, 2016, etc.) gives rich-lit fans a second spinoff of her best-known novel, The Devil Wears Prada, shifting her lens from long-suffering Andrea Sachs to Emily Charlton, the snippy fashionista who worked as top assistant to Runway magazine’s hellish editor, Miranda Priestly.
A decade after leaving Runway, Emily has successfully reinvented herself as a celebrity stylist and image consultant specializing in crisis management. But it’s her own career that’s in jeopardy when a hotshot rival starts luring away Emily’s Hollywood clients with millennial social media superpowers. Emily needs a big win or she may as well pack it up and head back to Runway. Thankfully, her childhood friend Miriam Kagan has just the gig for her. Miriam recently moved to tony Greenwich, Connecticut, where former supermodel and current senator’s wife Karolina Hartwell is hiding out after a brush with the law. Something about Karolina’s DUI arrest just doesn’t add up, though. Miriam dusts off her Harvard law degree and Emily kicks into high gear, discovering their friend Karolina has been set up by her husband, an ambitious politician with his eye on the White House. Now the three friends must take him down. Having a kick-ass girl posse is not only great fun, but essential for survival in this town filled with moms obsessed with SoulCycle, trophy kids, and plastic surgery—including having their vaginas “custom fit” for their husbands. In one scene, a designer-clad mom hosts a sex-toy party where the constant drumbeat is fear that husbands will abandon wives who aren’t smokin’ hot and sexually available at all times. (Every sex toy is discussed in terms of how much pleasure it will bring the men.) Emily, Miriam, and Karolina pose a refreshing contrast to the Greenwich moms who all seem to be swimming in the extremely shallow end of the pool.
With rich people behaving scandalously on every page, this lemon is juicy and delicious.Pub Date: June 5, 2018
ISBN: 978-1-4767-7844-0
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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