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THE TEMPTATION OF THE NIGHT JASMINE

Smart characters of both genders, fast-paced plotting and a dash of self-conscious humor make this installment a winner.

Honor and romance again take the lead in 19th-century England, as yet another flower-named spy continues this high-spirited and thoroughly enjoyable series (The Seduction of the Crimson Rose, 2008, etc.).

The beautiful but bookish Lady Charlotte is thrilled to welcome her cousin, the dashing Robert of Dovedale, home for Christmas to Girdings House. The year is 1803, and Charlotte is finishing her third season still unmarried. But her cousin, the hero of Charlotte’s lonely youth, seems distracted by the dissolute young “Eligibles” whom Charlotte’s grandmother has invited for the festivities—and a last chance at matrimony. Could Robert, the true heir of Girdings, be involved with that unseemly crew, or could something more be afoot? As fans of Willig’s series will immediately deduct, Duke Robert is as pure-hearted as they come, but the two protagonists will end up romantically confused even as they team up to uncover a plot to kidnap the mad King George III. The discovery of yet another relative involved in espionage could strain credibility, but Willig, a Harvard-educated historian, mixes pitch-perfect period details with lighthearted romance for a fresh take on the genre. If not caught up in the fashions and gossip, what else do patriotic young gentleman have to do, after all, besides defend the honor of their countries, or their more or less innocent female relatives? And, in a nod to modern sensibilities, what else do young noblewomen have to do but save them right back? In a witty acknowledgment of such far-fetched conventions, Willig’s modern heroine, narrator Eloise Kelly, finds herself wondering if her romantic mystery man, new boyfriend Colin Selwick, has continued his noble family’s tradition. That both stories will end happily is a given, but Willig’s lively writing and amiable young characters make the journey great fun.

Smart characters of both genders, fast-paced plotting and a dash of self-conscious humor make this installment a winner.

Pub Date: Jan. 22, 2009

ISBN: 978-0-525-95096-7

Page Count: 400

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2008

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THE SILENT SISTER

A compulsively readable melodrama.

After her father’s sudden death, a daughter discovers disturbing facts about a sister presumed dead more than two decades earlier.

One way or another, Lisa MacPherson, a musical prodigy, has always dominated the lives of her family. By the age of 17, she's a violin virtuoso with a bright future. Unaccountably, on a winter morning, Lisa’s kayak (though not her body) is discovered in the ice-bound Potomac near the family’s Alexandria, Virginia, home. Shortly after the tragedy, the family moves to North Carolina. Lisa’s younger siblings, Danny, 7, and Riley, 2, will be told only that Lisa suffered from depression and committed suicide. Twenty-three years later, Riley, who has become a high school guidance counselor to help depressed teens like Lisa, is settling her father Frank’s affairs after his death from a heart attack. (Her mother had succumbed to cancer years before.) While getting ready to sell his North Carolina real estate—her childhood home and a trailer park—Riley runs across several people who harbor secrets about her family’s past: Danny, a mentally troubled Iraq War vet, nurses grudges against his parents while living as a virtual hermit on the outskirts of the trailer park. Her father’s friend Tom exhibits a threatening mien. Jeannie, another family friend, appears helpful, but what is she hiding? Riley discovers that her father was paying Tom off, but why? Early on, Lisa’s voice, and her version of events, emerges. We learn that she was accused of murdering her violin teacher and was about to stand trial. Her suicide was faked by her father and Tom, both ex-U.S. Marshals skilled at making people disappear. Her father relocated her to San Diego, where, ignoring Frank’s warnings to avoid music, she found new outlets for her extraordinary talent. Although the plot is not exactly watertight, the revelations are parceled out so skillfully that disbelief remains suspended until the satisfying if not entirely plausible close.

A compulsively readable melodrama.

Pub Date: Oct. 7, 2014

ISBN: 978-1-250-01071-1

Page Count: 352

Publisher: St. Martin's

Review Posted Online: July 27, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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THE WATER DANCER

An almost-but-not-quite-great slavery novel.

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The celebrated author of Between the World and Me (2015) and We Were Eight Years in Power (2017) merges magic, adventure, and antebellum intrigue in his first novel.

In pre–Civil War Virginia, people who are white, whatever their degree of refinement, are considered “the Quality” while those who are black, whatever their degree of dignity, are regarded as “the Tasked.” Whether such euphemisms for slavery actually existed in the 19th century, they are evocatively deployed in this account of the Underground Railroad and one of its conductors: Hiram Walker, one of the Tasked who’s barely out of his teens when he’s recruited to help guide escapees from bondage in the South to freedom in the North. “Conduction” has more than one meaning for Hiram. It's also the name for a mysterious force that transports certain gifted individuals from one place to another by way of a blue light that lifts and carries them along or across bodies of water. Hiram knows he has this gift after it saves him from drowning in a carriage mishap that kills his master’s oafish son (who’s Hiram’s biological brother). Whatever the source of this power, it galvanizes Hiram to leave behind not only his chains, but also the two Tasked people he loves most: Thena, a truculent older woman who practically raised him as a surrogate mother, and Sophia, a vivacious young friend from childhood whose attempt to accompany Hiram on his escape is thwarted practically at the start when they’re caught and jailed by slave catchers. Hiram directly confronts the most pernicious abuses of slavery before he is once again conducted away from danger and into sanctuary with the Underground, whose members convey him to the freer, if funkier environs of Philadelphia, where he continues to test his power and prepare to return to Virginia to emancipate the women he left behind—and to confront the mysteries of his past. Coates’ imaginative spin on the Underground Railroad’s history is as audacious as Colson Whitehead’s, if less intensely realized. Coates’ narrative flourishes and magic-powered protagonist are reminiscent of his work on Marvel’s Black Panther superhero comic book, but even his most melodramatic effects are deepened by historical facts and contemporary urgency.

An almost-but-not-quite-great slavery novel.

Pub Date: Sept. 24, 2019

ISBN: 978-0-399-59059-7

Page Count: 432

Publisher: One World/Random House

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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