Nevertheless, it’s an engaging entry in a winning series.
Anholt continues his series of introductory picture books about the artists with this entry on Marc Chagall.
As he did in Cézanne and the Apple Boy (2009), Anholt uses the artist’s relationship with a child—in this case, children—as a hook to draw young readers in. Here “Papa” Chagall’s twin grandchildren elicit a sequence of anecdotes in which Chagall relates the story of his life, from his impoverished childhood in the Russian shtetl, through meeting his wife, moving to Paris and fleeing the Nazis, to success in his old age. Loose, warm ink-and-watercolor paintings depict children and grandfather against relaxing expanses of white space, with dream-bubble insets illustrating Chagall’s memories. Reproductions of some of his more famous paintings are incorporated, with child-friendly glosses: “The twins saw…a weird cat on a windowsill….” The boy Chagall’s penchant for surrealism is validated in his first patron’s reaction: “These paintings are funny!…But they are very, very good.” By and large, Anholt’s simple narrative approach works well, though his glossing over the Holocaust with the summation that “[s]ome bad people came—they hated me and they did not like my paintings” will mystify children, particularly when juxtaposed with images of destruction in both memory and Chagall’s own reproduced work. Though the Holocaust is discussed in a biographical note at the end, it’s too bad it’s not confronted more directly in the text.
Nevertheless, it’s an engaging entry in a winning series. (Picture book. 5-8)Pub Date: April 1, 2014
ISBN: 978-0-7641-6644-0
Page Count: 32
Publisher: Barron's
Review Posted Online: March 2, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Heartening.
One determined man brings two villages together with a hammer, chisel, and an iron will.
Deep in the heart of India, a mighty mountain separates two villages. Manjhi lives on one side, where nothing grows. On the other, rice and wheat flourish. The people there are affluent, while Manjhi’s village struggles with hunger. Manjhi climbs to the top of the mountain to ponder this problem. When he throws a stone, it triggers a sprinkle of powder, which gives him an idea. Manjhi trades his trio of goats for a hammer and chisel. Hurrying back to the top of the mountain, he positions the chisel and strikes it with the hammer. Powdered rock and tiny chips spray. He continues until he’s exhausted, but he’s also filled with hope. Even though people tell him he’s “crazy,” day after day Manjhi returns to the mountain. After a year, Majhi is a little stronger, and the hole he has made a little deeper. He perseveres and, when he returns to his task each day, notices that others have continued his work. It takes 22 years, but Manjhi lives to see the day that two villages become one, sharing water, hopes, and dreams. Churnin’s prose has an elegance appropriate for her inspiring tale, which is based on a true story. Popovich’s double-page illustrations use a warm palette and are nicely composed.
Heartening. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-939547-34-7
Page Count: 32
Publisher: Creston
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A beautifully designed book that will resonate with children and the adults who wisely share it with them.
An inspirational ode to the life of the great South African leader by an award-winning author and illustrator.
Mandela’s has been a monumental life, a fact made clear on the front cover, which features an imposing, full-page portrait. The title is on the rear cover. His family gave him the Xhosa name Rolihlahla, but his schoolteacher called him Nelson. Later, he was sent to study with village elders who told him stories about his beautiful and fertile land, which was conquered by European settlers with more powerful weapons. Then came apartheid, and his protests, rallies and legal work for the cause of racial equality led to nearly 30 years of imprisonment followed at last by freedom for Mandela and for all South Africans. “The ancestors, / The people, / The world, / Celebrated.” Nelson’s writing is spare, poetic, and grounded in empathy and admiration. His oil paintings on birch plywood are muscular and powerful. Dramatic moments are captured in shifting perspectives; a whites-only beach is seen through a wide-angle lens, while faces behind bars and faces beaming in final victory are masterfully portrayed in close-up.
A beautifully designed book that will resonate with children and the adults who wisely share it with them. (author’s note, bibliography) (Picture book/biography. 5-8)Pub Date: Jan. 2, 2013
ISBN: 978-0-06-178374-6
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 18, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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