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SONS OF CAMELOT

THE FATE OF AN AMERICAN DYNASTY

Impeccable: Leamer never overreaches, delivering accessible and even insightful portraits of Camelot’s sons. (Two 16-page...

Unpretentious profiles of Joseph Kennedy’s surviving sons and many grandsons in the post-JFK years.

Though aimed at a popular audience, this multigenerational portrait is hardly facile. Well-versed family chronicler Leamer (The Kennedy Men, 2001, etc.) knows when to call Robert Kennedy on mimicking the Port Huron Statement, and he has an intelligent thing or two to say about addiction and thrill-seeking. But here he writes a mostly narrative history, capturing the ongoing family split between those who endeavor to assume the mantle of power, assuming they belong to what may pass as a natural aristocracy, and those who shun the very same. Leamer tackles both Bobby and Ted as well as the 17 grandsons, some who shone and others who did otherwise. He covers the terrain like a reaper, from drugs and alcohol to the sad episode in Chappaquiddick (Leamer notes that Ted’s peccadilloes were typically of a different order: “He liked stunning, sexy women, and that was not Kopechne”), from the sanctuary at Hyannisport to the forays into the public domain of politics, the Special Olympics, and the evening news. There is much to cover: John’s travails at Brown, Willie Smith’s rape trial, all the rotten stuff “so bad it was perfect.” And Leamer is the perfect guide, so well-acquainted with the Kennedy mystique that he is just as comfortable talking about Teddy's self-doubting willful arrogance as he is with the clan’s lack of emotional expressiveness. The Kennedys and kin are a large brood, and the author brings each one before the limelight in a fashion that suggests they may well be in eclipse, coming full circle from shirtsleeves back to shirtsleeves as various members are swept away by airplanes, recreational intoxicants, and hubris.

Impeccable: Leamer never overreaches, delivering accessible and even insightful portraits of Camelot’s sons. (Two 16-page b&w photo inserts, not seen)

Pub Date: May 1, 2004

ISBN: 0-06-620965-X

Page Count: 656

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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