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HITLER AND STALIN

THE TYRANTS AND THE SECOND WORLD WAR

Via meticulous research and mesmerizing testimonies, Rees expertly reveals the "malleability of the human mind."

A dual biography of two of history’s most notorious dictators from a master historian who has “spent the last thirty years making documentaries and writing books about the Third Reich, Stalinism and the Second World War.”

Referencing and updating Alan Bullock’s Hitler and Stalin: Parallel Lives (1992), British historian Rees uses “millions of words of original eyewitness testimony,” much of it never published before, to create this rich biographical and historical study. “Hitler and Stalin were catapulted into prominence only in the wake of an epoch-shattering event over which they had no control,” World War I, and both believed they had the perfect vision for building and maintaining power for their nations. After the incisive, context-setting preface and introduction, the author proceeds in largely chronological fashion, beginning with the 1939 nonaggression pact that divided Poland, an agreement so cynical between the two former ideological enemies, the Communists and the Nazis, that even Stalin did not believe the global community would accept it. "The Soviet and Nazi governments may have been far apart in their ideological and political goals,” writes Rees, “but in the practical mechanics of oppression they were closely linked." Both dictators presided over unprecedented programs of mass deportations and launched ambitious military plans to opposite effect—e.g., Stalin's obliteration of the elite officer corps left his army weakened while Hitler was able to invade Western Europe. As the invasion of Russia became imminent, Hitler professed overweening confidence and Stalin dithered; the Russian leader was incompetent as a military commander, but he had to project a fatherly air to keep up morale. Each leader demonstrated "monumental disdain for the suffering of his troops,” and each understood the power of hunger as a method of control. Ultimately, they shared an idea that Stalin articulated: “War is pitiless…there must be no mercy.” Rees concludes with an appalling comparison of their respective numbers killed and how “of the two tyrants…it is Hitler who is more broadly seen as a symbol of evil today.”

Via meticulous research and mesmerizing testimonies, Rees expertly reveals the "malleability of the human mind."

Pub Date: Feb. 2, 2021

ISBN: 978-1-61039-964-7

Page Count: 528

Publisher: PublicAffairs

Review Posted Online: Sept. 9, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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