by Laurence Shames & Peter Barton ‧ RELEASE DATE: Sept. 1, 2003
“I can’t believe it all just stops.” Barton died in September 2002, leaving behind this appreciable scrapbook of his life.
Dying from stomach cancer at 51, the late media entrepreneur Barton looked back over his hungry, high-speed life to tender some personal truths.
There is a powerful disconnect in these pages between the studied calm of Barton’s closing months and his earlier life as an admittedly outsized alpha male, a striver and overachiever. “I’m just trying to give a candid report on what I’ve experienced and continue to experience, to map the progress toward my own little death. I don’t pretend it’s been tidy,” he says, and yet it is a fairly tidy summation. (Though Shames [The Naked Detective, 2000, etc.] must have helped Barton compose his thoughts, his presence is invisible except for short, eliding chapters. He takes no credit except to place his name first in the author order.) Barton’s final job was with Liberty Media, a company that shaped the cable television landscape. He grew into a rich man, but before all the money there was a life that fit snuggly into the zeitgeist of the ’60s: ski bum, card dealer, musician, political forays, and also being son to a father who died young, alerting Barton to his own potentially short lifespan. A prickly adolescent, he learned to manage the energy, letting it “ripen into what I think of as creative irreverence.” He pushed himself, and, in doing so, learned a few lessons that he wished to pass along, especially to his children: “Recognizing the difference between a dumb risk and a smart one; understanding when you need a change of direction, and having the guts to do it.” Certainly his insights are subjective, not a few quite filmy, though others ring with common sense. As Shames remarks, “The overriding theme was always the idea of becoming ready. Ready to live; ready to die.”
“I can’t believe it all just stops.” Barton died in September 2002, leaving behind this appreciable scrapbook of his life.Pub Date: Sept. 1, 2003
ISBN: 1-57954-688-9
Page Count: 224
Publisher: Rodale
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2003
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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