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FAULT LINE

An American life from the 1970s, with all its crucifying reverb.

Queasy-making memoir from novelist Alberts (Lost Daughters, 1999, etc.) about two damaged souls who first met while he was at Harvard and she was a suburban high-schooler.

In 1996, the author learned of the death of Kim Janik, a man with whom she had an emotionally destructive, on-and-off relationship from 1969 until 1984. In prose at times too self-eviscerating, doubtless because it maintains an edge as sharp as a flake of obsidian all of the time, Alberts questions her role in Janik’s disintegration. It won’t be easy: “I knew Kim better than anyone did; I was incapable of knowing Kim.” The product of an abysmal home life—her father a drunken bully and her mother ineffectual—teenaged Laurie was slapped around by bouts of depression, anxiety, and anorexia; focus and empathy weren’t her strong points. Kim seemed a port in the storm: independent, smart, and soon enough lusty and loving. To get some control over her life, Alberts needed to exercise and enjoy the power of being wanted, and not just by Janik, which fueled a rage of jealousy. They separated and re-coupled too many times to count. “He offered unconditional love. . . . I offered him an opportunity to be Mr. Rescue.” His role suffocated, hers was never enough. Ultimately, Alberts was too befuddled by the tumult of her brain chemistry and the times, while Janik surrendered to unchecked love and unbearable loss. Though it is never affected, there are moments when the author’s narrative approaches a too-raw indulgence, as when she intones, “It is possible that his will be the last name on my lips at the moment of my death.” (One wonders what her daughter and husband will think of that.) You have the feeling Alberts will pay an unexpected price for this book.

An American life from the 1970s, with all its crucifying reverb.

Pub Date: March 16, 2004

ISBN: 0-8032-1065-5

Page Count: 175

Publisher: Univ. of Nebraska

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 1, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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