Next book

GONE WITH THE WINDSORS

Best read in spurts, since the overabundance of entries diffuses the addictively catty fun.

A satirical recounting of the romance between Wallis Simpson and the Prince of Wales, as narrated by a fictional witness to the affair.

Because Maybell Brumby is not quite a sympathetic cross between Lady Bricknell and Auntie Mame—in fact, her one redeeming trait is her genuine affection for her niece and nephew—she is the perfect foil for the conniving Mrs. Simpson. A silly and frivolous widow of means who consistently misinterprets the words and actions of those around her, Maybell arrives in London in 1932 to visit her sisters, attracted in part by news that her childhood playmate “Wally” has shown up with a new husband. Maybell lends money, jewelry and furs as the money-strapped but ambitious Wally Simpson makes her way into society despite a dubious past. Maybell’s diary of the next decade follows Wally’s manipulations as she rises from nobody to hanger-on to prince’s mistress to Duchess of Windsor. The purposely inane diary goes on too long with who wore what where, but it is studded with moments of genuinely funny idiocy: Maybell calls Harrods “Harrold’s” throughout; mistakes Cole Porter for a coal porter; gets comically seasick on the Guinness yacht. More seriously, she does not realize that her younger sister is deaf, not retarded. And Hitler seems quite the fellow to Maybell until actual war breaks out. No judge of character, Maybell abets Wally as she pursues the prince, who everybody but Maybell recognizes is a simpleton unsuited to the throne. While Maybell is foolish but endearing, Wally is conniving, vicious, money-grubbing and power-hungry—also a slut and gambler. According to Graham (Future Homemakers of America, 2002), Wally is out-maneuvered by the Royals when her lover is forced off the throne and out of a large portion of his inheritance. In the end, Wally uses up even Maybell’s patience.

Best read in spurts, since the overabundance of entries diffuses the addictively catty fun.

Pub Date: Aug. 1, 2006

ISBN: 0-06-087271-3

Page Count: 416

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2006

Categories:
Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Awards & Accolades

Likes

  • Readers Vote
  • 17


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • Kirkus Prize
  • Kirkus Prize
    winner


  • New York Times Bestseller


  • IndieBound Bestseller


  • Pulitzer Prize Winner


  • National Book Critics Circle Finalist

Next book

THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

Awards & Accolades

Likes

  • Readers Vote
  • 17


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • Kirkus Prize
  • Kirkus Prize
    winner


  • New York Times Bestseller


  • IndieBound Bestseller


  • Pulitzer Prize Winner


  • National Book Critics Circle Finalist

The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

Close Quickview