A final book that stays true to the spirit of the whole, sending readers out of Shaftal on a high note.
The culminating chapter of Marks’ (Water Logic, 2007, etc.) acclaimed tetralogy finds Karis G’deon and her sprawling family once more imperiled, this time by the legacy of violence that threatens to unravel the fragile peace they have woven across their land.
Marks’ Elemental Logic series introduced readers to the realm of Shaftal, an intricately imagined land whose people operate within the boundaries of their basic natures—here defined as logics—which sometimes bequeath them with access to magical, elemental powers and sometimes embroil them in unsolvable internal conflicts. In the first book of the series, the invasion of the magic-hating Sainnites destroyed Shaftal’s government and exposed its people to subjugation and starvation under the cruel rule of the invaders. In true fantasy fashion, only Karis, a reluctant earth witch addicted to a deadly drug, and her band of equally unlikely allies can rise to rebuild the shattered legacy of Shaftal into a new world capable of sheltering Shaftali and Sainnite alike. The final book opens in what seems like the epilogue of their struggles. Karis has assumed the mantle of leadership, and her family—a polyamorous clan of friends, lovers, parents, and sparring partners—has joined their sometimes-querulous forces to work in unity toward the new governmental order. Peril follows them, however, as series favorites (Zanja, Karis’ wife and last member of a slaughtered border tribe; Emil, a scholar-warrior from old Shaftal; Medric, a Sainnite seer who knows more than he can say; Norina, a disagreeable air witch for whom both love and justice are swift and total) must do battle with a traitor from within their own home who threatens not only to undo all their efforts at peace, but also the bonds of their family. Invested in diversity, the Elemental Logic series as a whole represents characters who are neurodiverse, queer, ethnically and racially varied, and unaffected by gendered assumptions of societal roles. This final book goes one step further to champion the value of long, committed friendships as equal to, and sometimes even superior to, the passions of romantic love. Shaftal is a convincing world, lovingly detailed and fiercely envisioned. Marks' characters are so real in their depth of feeling that a reader unfamiliar with the convoluted interpersonal relationships established over the last three books can feel left behind. However, as the last note in a familiar melody, this book rings true.
A final book that stays true to the spirit of the whole, sending readers out of Shaftal on a high note.Pub Date: June 4, 2019
ISBN: 978-1-61873-160-9
Page Count: 400
Publisher: Small Beer Press
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
