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HOUSEBROKEN

ADMISSIONS OF AN UNTIDY LIFE

Uneven, forced humorous essays on mundane topics.

Comic and essayist Notaro (The Potty Mouth at the Table, 2013 etc.) is back with another round of commentaries on her semiscattered life.

Whether she's depicting her childhood dumpster-diving for her grandfather, who displayed the weird items she found in the backyard, sharing her Nana's recipes for meatballs, gravy, and vodka sauce, or complaining about the pronunciations used in a cheese-making class, the author attempts to find humor in everything—even things that aren't funny. She discusses raising chickens in the backyard, the demise of the Twinkie, making jerky treats for her dog, being overweight (“So. The Fat Talk. We were having the Fat Talk. In a doctor’s office because my doctor was too chicken shit to call me fat to my face. Instead, he sent his formerly fat nurse to break the news to me that I was chubby”), and basically anything else that has happened to her, to someone she knows, or even to complete strangers. Occasionally, the author hits the mark, as in her title essay, in which she chronicles her attempts to work her way through a clear-the-clutter-toward-a-better-and-more-spiritual-life book. Regarding her attempts to cull her collection of books: “But when I got to the part where she talks about throwing away books that hadn't been read, I had enough and closed the book. Those words are nothing short than the rantings of a lunatic. Madness….Tossing books you've never read is not just a sin, it's a crime, one worthy of capital punishment. Frankly, if I walk into your house and you don't have 200 books in there somewhere that you haven't read yet, I don't trust you." Overall, the laugh track is turned up too high for comfort, with the effects being pushed on readers without much subtlety. But for those who like trite, in-your-face sitcom humor, this will appeal.

Uneven, forced humorous essays on mundane topics.

Pub Date: July 12, 2016

ISBN: 978-1-101-88608-3

Page Count: 288

Publisher: Ballantine

Review Posted Online: April 18, 2016

Kirkus Reviews Issue: May 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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