A difficult but rewarding look at a major scientific dispute.

Alzheimer's Disease

HOW ITS BACTERIAL CAUSE WAS FOUND AND THEN DISCARDED

A historical account of the debate over the cause of Alzheimer’s disease.

Alzheimer’s is both debilitating and near ubiquitous; if one lives long enough, Broxmeyer (Autism, 2014, etc.) observes, the odds are high that one will suffer some iteration of it. He also notes that Alois Alzheimer, the scientist after whom the disease is named, likely contributed as much as anyone to the general confusion regarding its precise nature. In 1901, Broxmeyer says, Alzheimer examined Auguste Deter—a woman suffering from diminished memory and behavioral abnormality—and seemed determined to avoid implicating tuberculosis even though the potential link between the two was clear. At the start of the 20th century, TB was troublingly common, but Alzheimer insisted that whatever infectious disease caused the newly discovered malady was itself altogether new. However, the author points out, German neuropathologist Oskar Fischer observed in autopsies that brains addled with Alzheimer’s disease also exhibited a germ associated with TB. Later, it would be discovered that tubercular microbes could generate amyloid fibrils very similar to those found in the Alzheimer’s-related plaques and seemed to affect the brain’s immune cells in the same way. The author is an internist and a medical researcher, and his double mastery of both the scientific minutiae and historical nuances of his subject matter is breathtaking. This is more than an account of a scientific debate—it’s also an examination of the sometimes-unempirical way that such debate proceeds, as it’s conducted by human beings with agendas of their own. The science in this book can be formidably complex, and although Broxmeyer seems to make a concerted effort toward clarity, his work isn’t for the casual layperson. As a result, although it’s a relatively short book—less than 200 pages of text—it is by no means a quick read. Nevertheless, readers with strong science backgrounds will be impressed by the author’s undeniable competence, as well as his journalistic approach to chartering the evolution of thought regarding one of our era’s most challenging diseases.

A difficult but rewarding look at a major scientific dispute.

Pub Date: Aug. 3, 2016

ISBN: 978-1-4912-8735-4

Page Count: 190

Publisher: CreateSpace

Review Posted Online: Sept. 14, 2016

Did you like this book?

No Comments Yet

A brief but sometimes knotty and earnest set of studies best suited for Shakespeare enthusiasts.

THIS IS SHAKESPEARE

A brisk study of 20 of the Bard’s plays, focused on stripping off four centuries of overcooked analysis and tangled reinterpretations.

“I don’t really care what he might have meant, nor should you,” writes Smith (Shakespeare Studies/Oxford Univ.; Shakespeare’s First Folio: Four Centuries of an Iconic Book, 2016, etc.) in the introduction to this collection. Noting the “gappy” quality of many of his plays—i.e., the dearth of stage directions, the odd tonal and plot twists—the author strives to fill those gaps not with psychological analyses but rather historical context for the ambiguities. She’s less concerned, for instance, with whether Hamlet represents the first flower of the modern mind and instead keys into how the melancholy Dane and his father share a name, making it a study of “cumulative nostalgia” and our difficulty in escaping our pasts. Falstaff’s repeated appearances in multiple plays speak to Shakespeare’s crowd-pleasing tendencies. A Midsummer Night’s Dream is a bawdier and darker exploration of marriage than its teen-friendly interpretations suggest. Smith’s strict-constructionist analyses of the plays can be illuminating: Her understanding of British mores and theater culture in the Elizabethan era explains why Richard III only half-heartedly abandons its charismatic title character, and she is insightful in her discussion of how Twelfth Night labors to return to heterosexual convention after introducing a host of queer tropes. Smith's Shakespeare is eminently fallible, collaborative, and innovative, deliberately warping play structures and then sorting out how much he needs to un-warp them. Yet the book is neither scholarly nor as patiently introductory as works by experts like Stephen Greenblatt. Attempts to goose the language with hipper references—Much Ado About Nothing highlights the “ ‘bros before hoes’ ethic of the military,” and Falstaff is likened to Homer Simpson—mostly fall flat.

A brief but sometimes knotty and earnest set of studies best suited for Shakespeare enthusiasts.

Pub Date: April 21, 2020

ISBN: 978-1-5247-4854-8

Page Count: 368

Publisher: Pantheon

Review Posted Online: Dec. 18, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Did you like this book?

No Comments Yet

Highly recommended—anyone at all interested in music will learn a lot from this book.

HOW MUSIC WORKS

From the former Talking Heads frontman, a supremely intelligent, superbly written dissection of music as an art form and way of life.

Drawing on a lifetime of music-making as an amateur, professional, performer, producer, band member and solo artist, Byrne (Bicycle Diaries, 2009) tackles the question implicit in his title from multiple angles: How does music work on the ear, brain and body? How do words relate to music in a song? How does live performance relate to recorded performance? What effect has technology had on music, and music on technology? Fans of the Talking Heads should find plenty to love about this book. Steering clear of the conflicts leading to the band’s breakup, Byrne walks through the history, album by album, to illustrate how his views about performance and recording changed with the onset of fame and (small) fortune. He devotes a chapter to the circumstances that made the gritty CBGB nightclub an ideal scene for adventurous artists like Patti Smith, the Ramones, Blondie and Tom Verlaine and Television. Always an intensely thoughtful experimenter, here he lets us in on the thinking behind the experiments. But this book is not just, or even primarily, a rock memoir. It’s also an exploration of the radical transformation—or surprising durability—of music from the beginning of the age of mechanical reproduction through the era of iTunes and MP3s. Byrne touches on all kinds of music from all ages and every part of the world.

Highly recommended—anyone at all interested in music will learn a lot from this book.

Pub Date: Sept. 12, 2012

ISBN: 978-1-936365-53-1

Page Count: 352

Publisher: McSweeney’s

Review Posted Online: Aug. 1, 2012

Kirkus Reviews Issue: Aug. 15, 2012

Did you like this book?

No Comments Yet
more