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USED AND RARE

Name: USED AND RARE
Author: Lawrence Goldstone
ISBN: 0-312-15682-0

TRAVELS IN THE BOOK WORLD

by Lawrence Goldstone & Nancy Goldstone ‧ RELEASE DATE: May 15, 1997

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The Goldstones (Lawrence: Rights, 1992; Nancy: Mommy and the Murder, 1995; etc.) offer a sprightly paced travelogue that records their education in literary connoisseurship. Their interest in rare books began innocently enough when they challenged themselves to limit spending on birthday gifts for each other. Nancy walked into a Lenox, Mass., bookstore in search of a hardcover copy of War and Peace and discovered instead the large, arcane world of out-of-print books. With the discovery in Boston, weeks later, of a $40 first-edition of B. Traven's novel The Night Visitor, they were hooked. At a book fair the Goldstones are stunned to encounter a $50,000 1914 first edition Tarzan, by Edgar Rice Burroughs. ``Fifty thousand dollars for Tarzan? Could it be that somehow Tarzan was great literature and we didn't know it?'' Through visiting all the best stores, attending fairs and auctions, and perusing catalogues, the Goldstones learn to read the dealers' idiosyncrasies and the terminology of the trade, and gain a perspective on the idea that the business of rare books is, after all, a business: Demand drives prices, and (as with antiques and other collectibles) what has value is whatever collectors want. (Soon they plop down several hundreds for a two-volume first edition of Bleak House.) In the manner of good travel writing, the authors' descriptions are evocative, their storytelling compassionate—and frequently hilarious. (``How did you find us?'' complains a midtown Manhattan rare-book dealer when the Goldstones arrive on his doorstep. ``We control our advertising very carefully.'') And to their bedazzlement, they encounter some real gems, the ``one of a kind,'' the ``utterly and completely irreplaceable.'' In the end, the authors concede, there is satisfaction to be found in more mundane discoveries, too. A sort of Year in Provence for book lovers: an entertaining armchair introduction to an esoteric but captivating subject.

Pub Date: May 15, 1997

ISBN: 0-312-15682-0

Page Count: 211

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1997

Categories:

GENERAL NONFICTION

- BOOK REVIEW
DAYS OF INFAMY
by Lawrence Goldstone

- BOOK REVIEW
SEPARATE NO MORE
by Lawrence Goldstone

- BOOK REVIEW
ON ACCOUNT OF RACE
by Lawrence Goldstone

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.