by Lawrence J. Epstein ‧ RELEASE DATE: Nov. 17, 2016
A flavorful Lost Generation–era confection with a promising protagonist.
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A haunted American World War I veteran stumbles into a murder mystery among the 1920s Paris literary set in this first installment of a planned series.
Upon entering the City of Light’s Shakespeare and Company bookstore, Daniel Levin is initially dismissed by a clerk for being too broke to buy books. Luckily, the Jewish-American ex-soldier then meets owner Sylvia Beach, who gives him cash and a place to stay, which is typical of her legendary encouragement of aspiring authors. Daniel struggles to write, however, as he’s haunted by his mother’s suicide and the horrors of war. Sylvia soon introduces him to other writers as well as to Miriam Rosmarin, a beautiful, dark-haired American psychologist. He resists Miriam’s probing questions and tries to ignore other people’s opinions that his true talents may not lie in writing but in detective work. This latter insight is due in part to the fact that Daniel is pulled into a crime scene early in the novel, when a gorgeous blonde woman, Sylvette Arnaud, runs into Shakespeare and Company to announce a murder in the bookstore across the street. The victim is a literary magazine editor, and Sylvette reveals that he’d previously rejected her work when she refused his advances. She then makes moves on Daniel, who enjoys having sex and touring the city with her. Local police inspector Martel hints to Daniel, however, that the shady Sylvette, who has many other lovers, is likely guilty of the crime. Later, as Sylvette endures prison, Daniel uncovers the true killer—and other misdeeds—in a denouement that culminates in a scene of him dangling dangerously off the Eiffel Tower. Epstein (Bloodlines, 2016, etc.), a former English professor and the author of many nonfiction books on popular culture and Jewish life, calls to mind Woody Allen’s 2011 film Midnight in Paris in this enjoyable whodunit. Like that film, it features many amusing historical walk-ons, including such figures as Ernest Hemingway, F. Scott Fitzgerald, and, in particular, a pompous (and possibly criminal) Gertrude Stein. The author also crafts Daniel into an intriguing series lead who has many demons and desires. That said, Epstein rather overstuffs the ending with an explanation of con artistry that’s somewhat dizzying. Overall, however, his novel is an atmospheric and charming work.
A flavorful Lost Generation–era confection with a promising protagonist.Pub Date: Nov. 17, 2016
ISBN: N/A
Page Count: 227
Publisher: Fig Hollow Publishing
Review Posted Online: Dec. 28, 2016
Kirkus Reviews Issue: Feb. 1, 2017
Review Program: Kirkus Indie
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BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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