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ADMITTING THE HOLOCAUST

COLLECTED ESSAYS

With a highly sensitive but unsparing eye, these essays argue that new moral and linguistic categories are required in order to respond properly and honestly to the reality of the Holocaust. Langer (English/Simmons College), who won a National Book Critics Circle award for Holocaust Testimonies ( 1991), asserts that ``language preserves a semblance of order that disintegrates'' in the reality of the mass slaughter of Jews. Analyzing the ways in which people have tried to understand or represent the Holocaust, he looks at oral testimony, diaries, memoirs, and fiction, including works by writers like William Styron and Bernard Malamud for whom the Holocaust is an important but not necessarily central theme. Langer also examines some portrayals of the Holocaust on American TV, stage, and screen, eloquently resisting attempts to sentimentalize Holocaust victims, resisters, or survivors. Above all, he insists that the Holocaust represents a ``rupture'' in the images and values of modern Western culture, several times approvingly quoting Jean AmÇry's observation that ``no bridge led from death in Auschwitz to Death in Venice.'' Langer's only questionable contention is that ``Auschwitz introduced the realm of the unthinkable into the human drama.'' What, one wonders, of the mass deaths of millions during WW I's trench warfare or Stalin's murder of as many as 30 million in the USSR during the purges? Generally, however, Langer writes superbly. He has a gift for simple yet resonant phrasing: Of fictional survivors such as Aharon Appelfeld's Great Barfuss and Cynthia Ozick's Rosa, he writes that they are emotionally and spiritually ``dead while alive'' and thus ``amputated from time.'' Langer applies his insightful, razor-sharp pen to others' works about an event that, he convincingly maintains, carries neither lesson nor moral but instead overpowers memory, mocks the pretensions of civilization, and leaves an absurd, irredeemable legacy.

Pub Date: Dec. 1, 1994

ISBN: 0-19-509357-7

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1994

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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