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IN THE SHAPE OF A BOAR

One of the year’s most imaginative and challenging novels.

Acclaimed British author Norfolk follows his earlier critical successes Lemprière’s Dictionary (1992) and The Pope’s Rhinoceros (1996) with a complex symbolic novel whose several plots are set in classical Greece, Romania under Nazi occupation, and Paris in (it seems) the late 1960s.

The brilliant 100-page opening section is a vividly detailed account of a hunt in which a party of 60 renowned heroes (including one woman warrior: Atalanta) pursues the otherworldly wild boar inflicted on the kingdom of Kalydon by the aggrieved and vengeful goddess Artemis. It’s a fine piece of action writing, accompanied by numerous mock-scholarly footnotes throughout its first third—and also an absorbing analysis of the interrelations of Atalanta, her soulmate (and perhaps lover) Meleager (son of Kalydon’s King Oeneus), and their companion and antagonist Meilanion, a solitary “nighthunter” implicitly likened to the “dark” supernatural force they have together pledged to destroy. These three characters are recapitulated in those (whom we meet in Paris) of Solomon Memel, a Romanian refugee who was rescued by Greek resistance fighters and who later authored a famous allegorical poem entitled “The Boar Hunt”; the woman (Ruth) who directs a film inspired by “Sol’s” work; and Sol’s old friend Jacob, whose own annotations to a new edition of “The Boar Hunt” suggest that Sol has fabricated his own sufferings and exaggerated both the heroism of a woman guerrilla, “Thyella” (another avatar of Atalanta), and the epical malevolence of a German intelligence officer named Eberhardt, who may have been nothing more than an entry-level bureaucrat. The novel isn’t easy going, but Norfolk blends its disparate elements together with consummate skill, subtly dramatizing the intricacy and impenetrability of both legend and history (as Solomon puts it, “Our heroes never live the lives we require . . . . Their true acts take place in darkness and silence and their untellable stories rest with them in the cave”).

One of the year’s most imaginative and challenging novels.

Pub Date: Oct. 1, 2001

ISBN: 0-8021-1701-5

Page Count: 336

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2001

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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