Tomorrow's not far off in a plastiworld (everything, by the way, does seem to be plastiformed) of acronyms, computers, cassettes, clones, spare parts, genetic variants, government-licensed pregnancies and genders, synthetic foods and drugs, cosmetics to be applied to your most intimate recesses, and chromosomatic "efs" and "ems" (i.e., females, males)—a world in which you could easily lose your mind as well as your Personhood. In fact the plaintive message on page 520 is "What will we do when the mystery is gone?" The only em you'll have to remember is Dr. Nicholas Bennington Flair—he of the Tomorrow File where ideas for the future are to be developed—like the Ultimate Pleasure pill. This is the nearest thing to a story line—the UP which will serve for jerking off or "mildifying" terrorism or increasing production or perhaps subjugating the people (if that's what they still are). (Although there's a fringe coterie of Obsos—religious or health nuts—or Beists, who believe in the Life Force.) You'll find an occasional subsidiary drama here and there: an outbreak of botulism (from licking stamps) or an attempt to preserve the brain of a great but doomed man. But mostly this is a long workup with lots of programmed manipulation, mechanical accessories, massive input of scientific gear and terminology. Sanders, as everyone knows, is a showy and inventive writer but difficult to stabilize between his best books (The Anderson Tapes; The First Deadly Sin) and his Down pills. Like this one which really sinks in the absence of a scenario. But then of course in this new order where they've thought of everything, they have their own newspeak like "Scan and Destroy." It could be self-fulfilling.
Pub Date: Sept. 1, 1975
ISBN: 0586060634
Page Count: 640
Publisher: Putnam
Review Posted Online: April 10, 2012
Kirkus Reviews Issue: Sept. 1, 1975
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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