by Lawrence Schiller ‧ RELEASE DATE: May 29, 2012
An unhappy little book that fails to illuminate the Monroe legend or the woman underneath.
A photographer’s unfocused memoir of his time with Marilyn Monroe.
Accomplished photojournalist Schiller (Into the Mirror: The Life of Master Spy Robert P. Hanssen, 2002, etc.) recounts his brief access to Monroe in a curiously sour volume that does little to reveal new facets of the famously troubled actress’ life or art. Schiller photographed Monroe during the production of her final films, Let’s Make Love and the unfinished Something’s Got to Give, undistinguished entries in the Monroe filmography made as the actress’ irresponsible behavior on set sabotaged her faltering career and the personal problems that would lead her to commit suicide began to dominate all aspects of her life. In Schiller’s recollection, Monroe was alternately warm and wary, chatty and chilly, personable and remote. More consistent was her mercenary understanding of her sexual allure and a single-minded focus on exploiting her mystique to its fullest commercial potential. Schiller is equally self-interested, and the narrative is as devoted to his wheeling and dealing with various magazines and attempts to outmaneuver rival photographers as it is to presenting a compelling portrait of his most famous subject. The author’s zeal in maximizing the profits from his shots of a nude Monroe, who desperately hoped their notoriety might improve her shaky position with the film studio, may strike some as offensive, and the memoir, ostensibly a compassionate look at a troubled star, becomes instead a queasy document of the ways in which prurience, opportunism and crass calculation drive the entertainment industry and exact a tragic human toll.
An unhappy little book that fails to illuminate the Monroe legend or the woman underneath.Pub Date: May 29, 2012
ISBN: 978-0-385-53667-7
Page Count: 128
Publisher: Nan A. Talese
Review Posted Online: May 27, 2012
Kirkus Reviews Issue: June 15, 2012
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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