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AND HOW ARE YOU, DR. SACKS?

A BIOGRAPHICAL MEMOIR OF OLIVER SACKS

A thoroughly engaging and enchanting story.

A deeply personal account of the acclaimed neurologist.

Former New Yorker staff writer Weschler (Waves Passing in the Night: Walter Murch in the Land of Astrophysicists, 2017, etc.) concedes that this varied mix of biography and memoir is not a full biography of Oliver Sacks (1933-2015). Rather, the author focuses on the early 1980s, when he was regularly meeting with Sacks, “serving as a sort of Boswell to his Johnson,” compiling notebooks for a profile he planned to write. For Weschler, these years are the “hinge of [Sacks’] professional and creative progress,” when this “virtual hermit would be on the precipice of worldwide fame.” What emerges is a dazzling portrait of a “graphomaniac,” a “grand soliloquizer,” an “unparalleled clinician,” a “studiously detached naturalist,” prodigious swimmer, weight lifter, and reckless motorcycle speed demon. Weschler learned a number of intimate details about Sacks, including that he was gay: “I have lived a life wrapped in concealment and wracked by inhibition,” Sacks told him. He asked Weschler not to publish the profile, and it was only when he was dying that he told him: “Now….You have to.” Much of the book is told in Sacks’ own words, which Weschler transcribed, or from handwritten letters Sacks sent him, giving the narrative a rich immediacy. Early on, he realized Sacks was a prodigy who possessed a “strange consciousness and awareness…of his own oddity.” Weschler also interviewed Sacks’ close friends, including the poet Thom Gunn and Jonathan Miller, the physician member of the comedy revue Beyond the Fringe. The author chronicles his time spent with Sacks on his rounds with patients as he brilliantly diagnosed their neurological illnesses. He joined Sacks when his bestseller, Awakenings, was being filmed; Sacks and Robin Williams became friends. Also included is a forthright “digression” on Sacks’ propensity to exaggerate or make things up. The two were still very close near the end, and Weschler intimately recounts Sacks’ final years.

A thoroughly engaging and enchanting story.

Pub Date: Aug. 13, 2019

ISBN: 978-0-374-23641-0

Page Count: 400

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


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  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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