A fast-paced mystery featuring plenty of excitement.
Kidnapping, murder, and mind games are afoot in Fraser’s (Simon Says, 2014) latest thriller, which revisits PI Sam McNamara as she tackles a new case.
It’s July 1980, and pregnant Nina LeBlanc has been having a strange nightmare: she repeatedly dreams of abandoning her 5-year-old daughter, Gabriella, in the forest. Her husband, Quentin, says it’s nothing, but Nina is convinced she’s inherited her Scottish grandmother’s prophetic vision and that something terrible is going to happen to Gabriella. Her premonitions turn out to be all too true: Gabriella goes missing during the family’s vacation to a remote cabin and isn’t found until later, having killed the man who was physically and sexually abusing her. Ten years later, Quentin can tell there’s something wrong with Gabriella; his worst fears are confirmed when Isabella, her younger sister, is pushed from a treehouse. The story then flashes forward to the present day, when private detective Sam McNamara meets the adult Gabriella, not realizing they used to live next door to each other as children. Sam and her boyfriend, Reece, are reluctantly drawn into Gabriella’s life after she disappears, leaving nothing but a trail of blood and a 911 call saying her husband tried to kill her. Now, Sam and Reece must discover whether Gabriella is alive or dead—and who might have tried to murder her. Fraser’s second entry in the Perdition Games series is much stronger than the first. The writing throughout is taut and focused, capturing the reader’s attention and constantly upping the stakes as Sam tries to untangle the mystery that is Gabriella. Sam is a more compelling character this time around, too; as she wades through Gabriella’s past, she discovers things about her own that drive a wedge between her and Reece, allowing her to explore her own shortcomings and grow as a person. Although the novel gives away the answer to the mystery too soon, it still delivers a good dose of entertainment and moral ambiguity along the way.
A fast-paced mystery featuring plenty of excitement.Pub Date: June 21, 2015
ISBN: 978-0-9947742-0-0
Page Count: 304
Publisher: CreateSpace
Review Posted Online: June 25, 2015
Kirkus Reviews Issue: Aug. 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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