by Leda Schubert & illustrated by Robert Andrew Parker ‧ RELEASE DATE: April 1, 2006
In Florida, 1942, a most unusual collaboration took place. George Balanchine, the great expatriate Russian choreographer, created a dance for John Ringling North’s circus elephants to music by his good friend, the great expatriate Russian composer Igor Stravinsky. Schubert’s understated but informative text contrasts delightfully with the grand goings-on as elephants rehearse for weeks in lovely pink tutus. With Modoc, an Indian elephant performing a pas de deux with Vera Zorina, a popular ballet and Broadway star, the staging was a dazzling success. Parker’s watercolor designs swirl about, capturing the procession of elephants, the skyline of St. Petersburg and the exuberance of four-legged creatures looking even more elegant than the ballerinas. An afterword and photographs provide additional information and confirm that the ballet, occasionally performed today with ballet students, actually took place. A charming tale to share with young fans of the circus and ballet. (bibliography, web sites, extensive author note) (Picture book. 4-7)
Pub Date: April 1, 2006
ISBN: 1-59643-075-3
Page Count: 34
Publisher: Deborah Brodie/Roaring Brook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Valerie Bolling ; illustrated by Maine Diaz ‧ RELEASE DATE: March 3, 2020
The snappy text will get toes tapping, but the information it carries is limited.
Dancing is one of the most universal elements of cultures the world over.
In onomatopoeic, rhyming text, Bolling encourages readers to dance in styles including folk dance, classical ballet, breakdancing, and line dancing. Read aloud, the zippy text will engage young children: “Tappity Tap / Fingers Snap,” reads the rhyme on the double-page spread for flamenco; “Jiggity-Jig / Zig-zag-zig” describes Irish step dancing. The ballet pages stereotypically include only children in dresses or tutus, but one of these dancers wears hijab. Overall, children included are racially diverse and vary in gender presentation. Diaz’s illustrations show her background in animated films; her active child dancers generally have the large-eyed sameness of cartoon characters. The endpapers, with shoes and musical instruments, could become a matching game with pages in the book. The dances depicted are described at the end, including kathak from India and kuku from Guinea, West Africa. Unfortunately, these explanations are quite rudimentary. Kathak dancers use their facial expressions extensively in addition to the “movements of their hands and their jingling feet,” as described in the book. Although today kuku is danced at all types of celebrations in several countries, it was once done after fishing, an activity acknowledged in the illustrations but not mentioned in the explanatory text.
The snappy text will get toes tapping, but the information it carries is limited. (Informational picture book. 4-6)Pub Date: March 3, 2020
ISBN: 978-1-63592-142-7
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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